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Annette Peacock - I'm The One FLAC

Annette Peacock - I'm The One FLAC
  • Performer: Annette Peacock
  • Title: I'm The One
  • Genre: Electronic / Rock / Blues
  • Cat #: FDR 601
  • Label: Future Days Recordings, Light In The Attic
  • Country: US
  • Date of release: 2016
  • Style: Blues Rock, Avantgarde, Experimental, Funk
  • FLAC size 1234 mb
  • MP3 size: 1297 mb
  • Record From Vinyl, LP, Album, Reissue, Remastered

Tracklist

1Love Me Tender
Written-By – Elvis Presley, Vera Matson
3:45
27 Days
Written-By – Annette Peacock
3:54
3Pony
Written-By – Annette Peacock
6:15
4I'm The One
Organ – Mike GarsonPiano – Michael GarsonWritten-By – Annette Peacock
8:45
5Blood
Bass – Glen MoorePiano – Paul BleySynthesizer – Paul BleyWritten-By – Annette Peacock
2:00
6One Way
Organ – Michael GarsonWritten-By – Annette Peacock
6:12
7Gesture Without Plot
Drums – Laurence CookPiano – Paul BleySynthesizer – Paul BleyWritten-By – Annette Peacock
3:29
8Did You Hear Me Mommy?
Piano – Apache BleyWritten-By – Annette Peacock
1:44
9Been & Gone
Written-By – Annette Peacock
2:20

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
LSP-4578Annette Peacock I'm The One ‎(LP, Album, Roc)RCA VictorLSP-4578US1972
FDR 601Annette Peacock I'm The One ‎(LP, Album, Ltd, Num, RE, RM)Future Days Recordings, Light In The AtticFDR 601US2012
RCA-6025 Annette Peacock I'm The One ‎(LP, Album, Promo)RCARCA-6025 Japan1972
LSP-4578Annette Peacock I'm The One ‎(LP, Album, Promo)RCA VictorLSP-4578US1972
SF 8255Annette Peacock I'm The One ‎(LP)RCA VictorSF 8255UK1972

Credits

  • Arranged By, Vocals [Singer, Electric Vocals], Vibraphone [Electric], Other [Direction, Liner Notes]Annette Peacock
  • Artwork [Cover Image Materialized By], PhotographyRichard Davis
  • BassStu Woods
  • DrumsRick Morotta
  • Engineer [Recording]Gus Mossler
  • GuitarTom Cosgrove
  • Liner NotesMikey IQ Jones
  • PercussionAirto Moreira, Barry Altschul, Domun Romao, Orestes Vilato
  • PianoAnnette Peacock
  • ProducerAnnette Peacock, Bob Ringe
  • SynthesizerAnnette Peacock
  • Technician [Recording]Dick Baxter, Mike Hartry, Pat Martin
  • Tenor VocalsMichael Moss

Notes

• Back in print 2016
• Remastered from original tapes.
• Originally released in 1972 as RCA Victor - LSP-4578.

Barcodes

  • Barcode (Scan): 826853060103

Companies

  • Phonographic Copyright (p) – Sony Music Entertainment
  • Manufactured By – Sony Music Entertainment
  • Copyright (c) – Future Days Recordings
  • Recorded At – RCA Recording Studios

Video

Comments: (3)
Gunos
Anyone know how many of these records were pressed ?
Nto
Hello there! According to one ebay auction, 1000 were pressed.
MrDog
I have heard of Annette Peacock's name through the ECM Jazz world as well as with the David Bowie world. The first time I heard Peacock's music is through Mick Ronson's two solo albums where he recorded her "I'm The One," "Seven Days" (as a bonus cut on a Japanese issued CD), and to my surprise Peacock's arrangement of Elvis' "Love Me Tender." I didn't realize that until I heard "I'm The One" album for the first time a few days ago. In many ways, the missing link between Bowie and Mick Ronson, and also long-term keyboard player Mike Garson is on this album as well. Perhaps he was the bridge between her and Bowie/Ronson.One hear traces of future Bowie music in her work. Specifically "Young Americans" era Bowie, but also even on his later work from the end of the century "Hours" he borrows a section from "I'm The One." Peacock's album is pretty amazing, due to the mixture of her version of soul, experimentation with the Moog, and singing that is borderline Yoko Ono range. Her husband Paul Bley and others add a jazzy quality that redefines the border of the music categories that are on this album. Her version of "Love Me Tender" is a minimal take of the song, and again, Ronson basically borrowed his version on her vision of the song. To my ears, this is very much the sound of New York City in the 1970s, where the song format is stretched into other possibilities, and it still sounds fresh with its mixture of Sly Stone funk, and the sound of the Moog coming in and out of the mix. A remarkable album.
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