Artless Entanglements - A Collection Of Vintage Spotness. FLAC

1	Dildos Bondage & Toys Backing Vocals – Rolf EricksonGuitar, Vocals – Spot	0:53
2	Killer Bees Guitar [Vocorder], Guitar [2nd Chime], Bass, Drums, Other [Bees], Vocals [Stinging ] – Spot	2:01
3	The Last Clarinet Solos Of Harold Schvenkel, Solo #2 Clarinet [May His Lips Rest In Peace, Please] – Harold Schvenkel	1:24
4	How Does The Blood Taste Pt. II Clarinet – Harold SchvenkelPiano, Vocals [Moaning], Other [Blood Tasting] – Rene Van HelsdingenVocals [Beseeching Parental Guidance In The Bathroom] – Phoenix Vocals [Hoarse (Of Course) In The Bathroom], Guitar [Or Was It Bass?], Other [Sony Television] – Spot	2:04
5	We Can Live With The Hum Bass – Phoenix Clarinet – Harold SchvenkelDrums – Ron "Chavo" ReyesGuitar, Synthesizer [1st & 2nd] – SpotSynthesizer [3rd & 4th] – Christian Lunch	4:44
6	Golden Tones Electronics [Oscillator], Other [ATR] – John GoldenOther [Coffee Refills] – Spot	0:10
7	Where I Sleep.... Bass, Guitar, Viola – SpotDrums – Janet HousdenVocals [Pushin' Her Way Into The Nightmare & How Dare She!] – Debbie Patino	6:00
8	How Does The Blood Taste Pt. I Drums – Rena Guitar, Bass, Vocals [? (Take That Patino!)] – SpotSaxophone – Greg Burk	3:58
9	The Last Clarinet Solos Of Harold Schvenkel, Solo #1 Clarinet [May His Lips Rest In Peace, Please] – Harold Schvenkel	0:55
10	Flying Babies Electronics [Oscillator] – John GoldenRap, Other [Chicken Tostada] – SpotSynthesizer [With Her Knees] – Phoenix	2:46

• Composed By – Spot
• Engineer, Producer – Spot
• Layout, Graphics [Graphic Design], Design [Graphic Design] – Pickles
• Mastered By – John Golden
• Photography By [Cover] – Spot
• Sleeve Notes – Spot
• Typography [Cover Lettering] – Rebecca Tucker

It needs to be said that there are two distinct vintages of recordings contained herein:
The first, which includes the entirety of side one and side two through "The Last Clarinet Solos...", was belched up at the late Media Art-primarily from that primalesque Studio B-during the period of '79-'81, which represents somewhat the beginning of an end. The second, which includes only "How Does the Blood Tasted Pt. 1" and "Where I Sleep...", was conceived within that same dark Studio B and finally realized at Spinhead in '86; this being an end of a beginning.

A5 Originally released on "Cracks In The Sidewalk" New Alliance NAR-001
B1 Originally released on "Chunks" New Alliance NAR-003

© ℗ Insomnaural Music, BMI
Mastered at K-Disc
© No Auditions

• Matrix / Runout (Side A, Etched, "ACID" is crossed out and replaced with "ART" below): NYET-747-1-A SO DARK, SO REMEMBERED - AND SHE... AND SHE... WHO NEEDS ACID ART WHEN YOU CAN JUST STAY AWAKE L·25033 S-17067
• Matrix / Runout (Side B, Etched): NYET·747-1-B THAT OLD THREE MAST ECHO SOUNDING CHARITY, SWEET - AN ANGEL BEING A SHARK WELL GOVERNED L-25033-X S-17068
• Matrix / Runout (Side A, Etched Vertically): K.
• Matrix / Runout (Side B, Stamped): kdisc
• Rights Society: BMI

• Copyright (c) – No Auditions
• Copyright (c) – Insomnaural Music
• Phonographic Copyright (p) – Insomnaural Music
• Recorded At – Media Art Studio
• Recorded At – Spinhead Studios
• Mastered At – K Disc Mastering
• Mastered At – Greg Lee Processing – L·25033
• Pressed By – Rainbo Records – S-17067
• Pressed By – Rainbo Records – S-17068