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Bibio - Mind Bokeh FLAC

Bibio - Mind Bokeh FLAC
  • Performer: Bibio
  • Title: Mind Bokeh
  • Genre: Electronic / Pop
  • Cat #: WARPLP209
  • Label: Warp Records
  • Country: Europe
  • Date of release: 04 Apr 2011
  • Style: IDM, Downtempo, Electro
  • FLAC size 2776 mb
  • MP3 size: 1534 mb
  • Record From 2 × Vinyl, LP, Album

Tracklist

1Excuses5:58
2Artists' Valley6:00
3Light Seep3:53
4Wake Up!3:25
5Take Off Your Shirt4:03
6K Is For Kelson3:28
7Anything New4:07
8Pretentious6:02
9More Excuses4:27
10Mind Bokeh2:33
11Saint Christopher6:33
12Feminine Eye1:50

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
WARPLP209Bibio Mind Bokeh ‎(2xLP, Album)Warp RecordsWARPLP209Europe2011
warpcd209pBibio Mind Bokeh ‎(CD, Album, Promo)Warp Recordswarpcd209p2010
WARPCD209pBibio Mind Bokeh ‎(CD, Album, Promo)Warp RecordsWARPCD209pEurope2011
BRC-285Bibio Mind Bokeh ‎(CD, Album)Beat RecordsBRC-285Japan2011
WARPCDD209Bibio Mind Bokeh ‎(12xFile, MP3, Album)Warp RecordsWARPCDD209UK2011
CategoryArtistTitle (Format)LabelCategoryCountryYear
warpcd209pBibio Mind Bokeh ‎(CD, Album, Promo)Warp Recordswarpcd209p2010
WARPCD209pBibio Mind Bokeh ‎(CD, Album, Promo)Warp RecordsWARPCD209pEurope2011
WARPCD209Bibio Mind Bokeh ‎(CD, Album, Ltd)Warp RecordsWARPCD209Europe2011
BRC-285Bibio Mind Bokeh ‎(CD, Album)Beat RecordsBRC-285Japan2011
WARPCDD209Bibio Mind Bokeh ‎(12xFile, MP3, Album)Warp RecordsWARPCDD209UK2011

Credits

  • Alto Saxophone, Bells [Sleigh], Berimbau, Cowbell, Design, Drum [Chinese Silk Fan], Electric Bass [Solid Body], Electric Guitar [Arch-top Jazz], Electric Guitar [Solid Body], Electric Piano [Rhodes], Handclaps, Other [Brandy Glass, Filing Cabinet Drawer, Milk Bottle, Tea Cup, Whiskey Bottle, Wine Bottle], Performer, Photography, Producer, Sampler [Mpc], Shaker, Shaker [Plastic Bottle Of Water], Synthesizer [Analogue Monophonic], Talkbox, Tambourine, Triangle, Written-ByStephen James Wilkinson
  • Artwork [Additional Laser Cutting]Richard Roberts
  • Artwork [Silhouette Mirror Hand Cut]Holly Fuller
  • Mastered ByNoel Summerville
  • Alto Saxophone, Bells [Sleigh], Berimbau, Cowbell, Drum [Chinese Silk Fan], Electric Bass [Solid Body], Electric Guitar [Arch-top Jazz], Electric Guitar [Solid Body], Electric Piano [Rhodes], Handclaps, Other [Brandy Glass], Other [Filing Cabinet Drawer], Other [Milk Bottle], Other [Tea Cup], Other [Whiskey Bottle], Other [Wine Bottle], Sampler [Mpc], Shaker, Shaker [Plastic Bottle Of Water], Synthesizer [Analogue Monophonic], Talkbox, Tambourine, TriangleStephen James Wilkinson
  • Artwork [Silhouette Mirror]Holly Fuller
  • Design, Photography ByStephen James Wilkinson
  • Mastered ByNoel Summerville
  • Other [Additional Laser Cutting] – Richard Roberts
  • Producer, Performer, Written-ByStephen James Wilkinson

Notes

Made in EU
℗ & © 2010 Warp Records Limited

Instruments also include "other random things I can't remember"

This album was recorded in a bedroom of a terraced house in Wolverhampton, England. Apologies to my neighbours.

'Excuses' contains audio excerpts from the documentary 'Eadweard Muybridge, Zoopraxographer' directed by Thom Andersen,produced by New Yorker Films. With kind permission from Dean Stockwell.

I would like to thank all of my friends and family, everyone who has contributed to this album no matter how small the contribution, all the people who have supported me and my music over the years, Warp for being the best label in the world.

Extra special thanks to Holly Fuller - Bove.

First pressings were limited edition and featured die-cut sleeves with interchangeable artwork.

US Release: Tuesday, March 29, 2011Instruments also include "other random things I can't remember"

This album was recorded in a bedroom of a terraced house in Wolverhampton, England. Apologies to my neighbours.

'Excuses' contains audio excerpts from the documentary 'Eadweard Muybridge, Zoopraxographer' directed by Thom Andersen,produced by New Yorker Films. With kind permission from Dean Stockwell.

I would like to thank all of my friends and family, everyone who has contributed to this album no matter how small the contribution, all the people who have supported me and my music over the years, Warp for being the best label in the world.

Extra special thanks to Holly Fuller - Bove.

Die-cut outer sleeve LP, including CD booklet and a coupon with free download code

℗ 2010 Warp Records Limited © 2010 Warp Records Limited

Barcodes

  • Barcode: 0 801061 020927
  • Label Code: LC02070
  • Matrix / Runout (Variant 1 & 2): CA WARPCD209P @ 12/14/10 11:13:19 AM
  • Mastering SID Code (Variant 1 & 2): IFPI L039
  • Mould SID Code (Variant 1): IFPI 1202
  • Mould SID Code (Variant 2): IFPI 1262
  • Barcode: 0 801061 020910
  • Matrix / Runout (Side A): 88226 2A WARPLP 209
  • Matrix / Runout (Side B): 88226 1B WARPLP 209
  • Matrix / Runout (Side C): 88226 2C WARPLP 209
  • Matrix / Runout (Side D): 88226 1D WARPLP 209
  • Label Code: LC02070

Companies

  • Phonographic Copyright (p) – Warp Records Limited
  • Copyright (c) – Warp Records Limited
  • Mastered At – Metropolis Mastering
  • Pressed By – MPO
  • Copyright (c) – Warp Records
  • Phonographic Copyright (p) – Warp Records
  • Pressed By – Record Industry – 88226

Video

Comments: (3)
Berenn
I would hope by now that the truly discerning listener isn’t buying albums out of impulse or after hearing/reading the harkened banter famously deployed by a critic’s feed of crap. I understand and respect the place of most music critics and find their (positive) descriptions of sound an enhanced extension of my own personal thoughts, but I cannot stand their harsh and relentlessly negative view of the obscure. When I imagine music being rated at the top of its mark, it would have to implore some kind of feeling that when I return to this music, picking it out of a playlist or holding the cover art, I receive the same emotional rush of beauty and intrigue from when it was last heard.

Artists are often criticized for staying inside their comfort zone or breaking too far out of it. Are you kidding me? Why should it be judged so irrefutably that an artist does or does not know how to make their own music? What’s wrong with maintaining a strong, unique voice? What’s wrong with stretching the imagination and the limits surrounding them?

I’m glad Bibio is evolving into a full-fledged producer, one with gusto and the strength to always find new fans. There’s never anything phony or tried in his music, never a question of why is that there. Bibio has gained recognition solely based on his creativity. I have always enjoyed the presence of music that I would sit around and say, ‘I could’ve written that’ but with Bibio, I don’t get that feeling. His music is so unique that I can barely conceive how it was made, let alone make it up on my own. It has a very fresh and freestyle feel to it - not quite improvisational, but not quite scripted, which makes this music even more attractive, constantly beckoning fans old and new right to its front door. One cannot help but keep on coming back for more.
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