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Casanovas Revenge - Let's Work FLAC

Casanovas Revenge - Let's Work FLAC
  • Performer: Casanovas Revenge
  • Title: Let's Work
  • Genre: Electronic
  • Cat #: PAL-7248
  • Label: Invasion Recordings
  • Country: US
  • Date of release: 1989
  • Style: Breakbeat, House, Acid House, Hip-House
  • FLAC size 1299 mb
  • MP3 size: 1877 mb
  • Record From Vinyl, 12", 33 ⅓ RPM

Tracklist

1Let's Work (Club Version 2)6:10
2Chep's Beat Junky Edits3:21
3The Dope Jam3:21
4I Can't Take It (Chep's Down)6:24
5Here We Go (R U Ready)3:20
6I Can't Take It (Vocal)6:18
7Let's Work (Club Version 1)5:46

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
ZB 42887Casanova's Revenge Let's Work / I Can't Take It ‎(7")DeconstructionZB 42887UK1989
MAX 349Casanova's Revenge Let's Work / I Can't Take It ‎(12")Max MusicMAX 349Spain1989
PAL-7248-DJCasanovas Revenge Let's Work ‎(12", Promo)Invasion RecordingsPAL-7248-DJUS1989
OTT 889 509-1, 571003Casanova's Revenge Let's Work ‎(12")O.T.T. Records, Dance DeptOTT 889 509-1, 571003France1989
ZT 42888Casanova's Revenge Let's Work ‎(12")DeconstructionZT 42888UK1989

Credits

  • Co-producerChep Nunez (tracks: A1, A2, B1, B2)
  • Edited By [Post Production Edits]Chep Nunez (tracks: B1 to B4)
  • Executive-ProducerMatt E. Silver
  • Mastered ByHERbiE JR :v)
  • Producer, Mixed ByCharley Casanova
  • Written-ByC. Casanova

Notes

Produced for Casanova Productions
Co-produced for Beat Junky Productions
Recorded and mixed at Casanova Sound Studios, Queens, NYC
Tracks A1, A2, B1 & B2 mixed at KCC Audio, NYC
Special thanks: Sergio Dean

Barcodes

  • Barcode (Scanned): 015151724811
  • Barcode (Text): 0 15151-7248-1 1
  • Matrix / Runout (Label side A): PAL-7248A
  • Matrix / Runout (Label side B): PAL-7248B
  • Matrix / Runout (A-Side Runout Etching): DMS [Roman numeral 2] HERbIE JR [stylised smiley face] A2 PAL-1248-A
  • Matrix / Runout (B-Side Runout Etching): DMS [Roman numeral 2] HERbIE JR [stylised smiley face] A1 PAL-1248-B
  • Matrix / Runout (Runout Stamp Each Side): ▻
  • Rights Society: ASCAP

Companies

  • Produced For – Casanova Productions
  • Produced For – Beat Junky Productions
  • Recorded At – Casanova Sound Studios
  • Mixed At – Casanova Sound Studios
  • Mixed At – KCC Audio
  • Published By – Castle Hill Publishing
  • Published By – Carrone Music
  • Manufactured By – Profile Records, Inc.
  • Distributed By – Profile Records, Inc.
  • Mastered At – DMS
  • Phonographic Copyright (p) – Invasion Records, Inc.
  • Pressed By – Hauppauge Record Manufacturing Ltd.

Video

Comments: (1)
Xtreem
Something of a unique record in that the editor/co-producer Chep Nuñez's "Beat Junky Edits" is not merely a fantastic, heavily multi-edited track, but a promotional piece for the editor himself. The late Nuñez was a prolific and heralded master of editing as it existed in the era started by electro. Not to be confused with the early disco edits of the 70s nor original recording studio editing, multi-edits (aka "machine gun edits") were arguably started by the numbing edits of the Latin Rascals for their legendary radio shows. Splicing small bits of other records into a master track already edited with pounding, stuttered, programmed beats, these edits spread out across electro, house, freestyle, rap, and nearly every style of dance music in the 80s. In many cases, the most avant and just plain bugged (I DID say 1980s yunno) version of a track was the editor doing their thing, a proper shredding up and rebuilding of the base song innocently stashed on the B-side, sometimes labeled a "dub". Nuñez here takes the track and wraps it around a vocal sample about himself and then works the track into a lather, adding other vocal samples to the breathless breaks in between those chaotic drum patterns. Nothing else on this otherwise good 12" compares. If ever you need a sample of why people consider the studio wizards of this era to be utter geniuses-- or merely to explain what edits are-- this is the document.
Great review! I am always searching out Chep Nunez's remixes, there are some really killer mixes and edits he made, it is just a matter of finding the right one's. This one was sampled by Biochip Chip C on Steal it and Deal it.
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