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Cher - All Or Nothing / Dov'è L'Amore FLAC

Cher - All Or Nothing / Dov'è L'Amore FLAC
  • Performer: Cher
  • Title: All Or Nothing / Dov'è L'Amore
  • Genre: Electronic
  • Cat #: 9 44774-2
  • Label: Warner Bros. Records
  • Country: US
  • Date of release: 1999
  • Style: Latin, House, Garage House, Euro House, Tech House, Progressive House
  • FLAC size 2291 mb
  • MP3 size: 1222 mb
  • Record From CD, Maxi-Single

Tracklist

1Dov'è L'Amore (Tony Moran's Anthem 7" Mix)
Backing Vocals [Background Vocals] – Everett Bradley, Nikki Richards, Paulette McWilliamsEngineer [Mix Engineer] – Dave SaransonGuitar [Guitars] – Bernd SchoenhartKeyboards, Programmed By – Tony ColuccioPercussion – Dave ShulmerProducer [Additional Production], Remix – Tony MoranProgrammed By [Additional Programming] – Guiseppe D.
3:30
2All Or Nothing (Danny Tenaglia International Mix)
Engineer [Remix Engineer] – Rob RivesKeyboards [All Keyboards], Drum Programming – Danny TenagliaRemix [Producer] – Danny Tenaglia
9:48
3All Or Nothing (Almighty Definitive Mix)
Producer [Additional Production], Remix – Jon Dixon, Martyn NorrisRemix – Almighty
8:33
4Dov'è L'Amore (Ray Roc's Latin Soul Vocal Mix)
Drums, Percussion – Ray Roc ChecoKeyboards – Lisette WilsonRemix [Remix Production], Programmed By, Arranged By – Ray Roc Checo
9:38
5All Or Nothing (Metro Radio Mix)
Mixed By – Mark Taylor, Walter TurbittRemix – Metro
3:59
6All Or Nothing (Danny Tenaglia Cherbot Vocadub)
Engineer [Remix Engineer] – Rob RivesKeyboards [All Keyboards], Drum Programming – Danny TenagliaRemix [Producer] – Danny Tenaglia
12:38
7Dov'è L'Amore (Ray Roc's Radio Mix)
Drums, Percussion – Ray Roc ChecoKeyboards – Lisette WilsonRemix [Remix Production], Programmed By, Arranged By – Ray Roc Checo
3:33
8Dov'è L'Amore (Tony Moran's Anthem Mix)
Backing Vocals [Background Vocals] – Everett Bradley, Nikki Richards, Paulette McWilliamsEngineer [Mix Engineer] – Dave SaransonGuitar [Guitars] – Bernd SchoenhartKeyboards, Programmed By – Tony ColuccioPercussion – Dave ShulmerProducer [Additional Production], Remix – Tony MoranProgrammed By [Additional Programming] – Guiseppe D.
9:54
9Dov'è L'Amore (Tee's Radio Mix)
Arranged By, Edited By – Matthias HeilbronnEngineer – Bill KlattKeyboards – Johan BrunkvistProducer [Additional Production], Remix – Todd Terry
3:21
10Dov'è L'Amore (Todd Terry's TNT Club Mix)
Arranged By, Edited By – Matthias HeilbronnEngineer – Bill KlattKeyboards – Johan BrunkvistProducer [Additional Production], Remix – Todd Terry
6:53

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
0-44774, 9 44774-0Cher All Or Nothing / Dov'È L'Amore ‎(2x12")Warner Bros. Records, Warner Bros. Records0-44774, 9 44774-0US1999

Credits

  • Arranged By [Intro. Strings]Robin Smith (tracks: 5 to 10)
  • Executive-ProducerRob Dickins
  • Guitar [Additional Guitars]Adam Phillips (tracks: 5 to 10)
  • Keyboards, Guitar [Guitars], Programmed ByMark Taylor (tracks: 1 to 4)
  • ManagementL.S. Management, Inc., RD Worldwide Management, B.V.
  • ProducerBrian Rawling, Mark Taylor
  • Vocals, Guitar [Guitars]"Gypsyland" (tracks: 5 to 10)
  • Written-ByMark Taylor, Paul Barry

Notes

[Published by] Right Bank Music ASCAP. Produced for Metro/Rive Droite Music Productions.

Tracks 1 and 3 remix produced for Stay Tuned Productions.
Tracks 5 and 8 additional production and remix for Big Management, Ltd. NYC.
Tracks 7 and 10 remix production, programming, & arrangement for Randa Music Inc. & Big Management, Ltd. NYC,

Original versions available on the Warner Bros. album "Believe". Available on Cassette and Compact Disc (4/2-47121).

Warner Bros. Records Inc., a Time Warner Company. ©℗ 1999 Warner Music UK Ltd. Made in U.S.A. Mfg. by WEA Manufacturing. [disc].

The release is housed in a FLP™ case.

Barcodes

  • Barcode (Scanned): 093624477426
  • Barcode (Text): 0 9362-44774-2 6
  • Matrix / Runout: [wea mfg. OLYPHANT logo] Y9598 1 44774-2 01
  • Matrix / Runout (Mother / Stamper Code - Variant 1): M1S1
  • Matrix / Runout (Mother / Stamper Code - Variant 2): M2 S1
  • Matrix / Runout (Mother / Stamper Code - Variant 4): M1S7
  • Mastering SID Code (Variants 1 to 4): ifpi L903
  • Mould SID Code (Variant 1): IFPI 2U3D
  • Mould SID Code (Variant 2): IFPI 2V2F
  • Mould SID Code (Variant 3): IFPI 2U2Y
  • Mould SID Code (Variant 4): IFPI 2U7N

Companies

  • Phonographic Copyright (p) – Warner Music UK Ltd.
  • Copyright (c) – Warner Music UK Ltd.
  • Manufactured By – WEA Manufacturing
  • Glass Mastered At – WEA Mfg. Olyphant – Y9598
  • Record Company – Time Warner
  • Produced For – Metro
  • Produced For – Rive Droite Music Productions
  • Produced For – Stay Tuned Productions
  • Produced For – Big Management Ltd.
  • Produced For – Randa Music Inc.
  • Published By – Right Bank Music

Video

Comments: (5)
Uaha
The best songs 1998- 1999 by various artistsMadonna- nothing really matters and sky fits heavenAmber - sexualSonique - it feels so goodla bouche -You Will not Forget Me; 1998ace of bace - cruel summerCher - Believecher - Strong EnoughGloria Estefán - Dont let this moment enddont stop - Gloria EstefánEnigma - silence must be heard
Qus
It seems that all of the copies of this CD single are defected - The Tenaglia dub skips at the same place (6:05-6:11) in 3 different copies I checked. Be warned.And it is a shame, since it's the only place to get those on a CD - and in my opinion Danny's vocal & dub of All or nothing are the best work he ever did and one of the best Cher mixes ever. Pitty.
Celore
I’ve got a vinyl rip from a friend’s promo which does not skip, so I know it’s not meant to be that way. Could be that that master skipped, or that the CD copy was mastered from the vinyl - companies used to do that sometime.
Arlana
It would seem that something happened between Danny delivering the mix and this being pressed on CD and vinyl, because clearly it isn't supposed to be like that. It sounds to me like some kind of digital skip. It's unfortunate.
Just_paw
There is no defect on the cd. I own vinyl formats with this dub (the regular and the promo 12") and it does the same thing at the exact same place so rest assured, it was probably meant to be that way. It does sound like a skip... but I have to admit, I hadn't noticed until I read your comment!
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