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Deep Purple - Days May Come And Days May Go FLAC

Performer: Deep Purple
Title: Days May Come And Days May Go
Genre: Rock
Label: Agat Company Ltd.
Country: Russia
Date of release: 01 Jan 2000
Style: Hard Rock
FLAC size 2983 mb
MP3 size: 2454 mb
Record From CD, Album, Unofficial Release

Deep Purple Russia Agat Company Ltd Hard Rock 2000

Tracklist

1	Drifter (Version I)
2	Drifter (Rehearsal Sequence)
3	Untitled
4	If You Love Me Woman (Jam)
5	Dance To The Rock & Roll (Jam)
6	I Got Nothing For You (Jam)
7	The Orange Juice Song
8	Owed To "G" (Instrumental)
9	Statesboro' Blues
10	The Last Of The Long Jams (Jam)

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
PUR 303	Deep Purple	Days May Come And Days May Go (The California Rehearsals, June 1975) ‎(CD, RM)	Purple Records	PUR 303	UK	2000
PUR 303	Deep Purple	Days May Come And May Go (The California Rehearsals, June 1975) ‎(CD, Album, RM)	Purple Records	PUR 303	UK	Unknown
PUR 353	Deep Purple	Days May Come And Days May Go (The California Rehearsals, June 1975) ‎(2xCD, Comp, RE, Spe)	Purple Records	PUR 353	Europe	2008
PUR 303	Deep Purple	Days May Come And Days May Go (The California Rehearsals, June 1975) ‎(CD, RM)	Purple Records	PUR 303	UK	2000
PUR303DJ	Deep Purple	Days May Come And Days May Go (The California Rehearsals, June 1975) ‎(CD, Promo, RM)	Purple Records	PUR303DJ	UK	2000

Notes

20 bit Digitally Remastered

Barcodes

Matrix / Runout: A-405

Video

Comments: (1)

Aedem

Deep Purple, Mark IV is always a kind of mystery for the listeners. Listening to their live records as Phoenix Rising or watching to live videos, you are thinking: Why did they choose Tommy Bolin? There were so many great guitar players around in the 70s. That's why.
Listen to this official bootleg record. Studio jams recorded months before Come Taste the Band Sessions. It's hard to believe that Deep Purple were in such great form. Tommy Bolin really could play guitar, great interaction between Jon Lord, Glenn Hughes, Tommy Bolin and Ian Pace. Add to rhe mix the voice of David Covedale with his "baby, baby" in style of Robert Plant (it's obvious that back in 1975 David Coverdale was deeply impressed by Robert Plant's manner of singing) - and you'll get the full impression of these records.
Two good short songs - "Drifter" and "The Orange Juice Song" based on Concerto for Aranjues by J. Rodrigo and long instrumental jams with the voice of David here and there. Album is very enjoyable. It's like you are listening to famous concert improvisations by Deep Purple. Sad that in the end they decided to produce much more predictable album Come Taste the Band.

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