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Dusty Springfield - Dusty In Memphis FLAC

Performer: Dusty Springfield
Title: Dusty In Memphis
Genre: Rock / Funk
Cat #: R1 8214
Label: Atlantic
Country: US
Date of release: 2017
Style: Pop Rock, Soul
FLAC size 2051 mb
MP3 size: 1958 mb
Record From Vinyl, LP, Album, Reissue, Stereo, 180 Gram

Dusty Springfield Atlantic Pop Rock Soul 2017

Tracklist

1	Just One Smile Written-By – Randy Newman	2:37
2	In The Land Of Make Believe Congas – Mike LeachWritten-By – Burt Bacharach & Hal David	2:28
3	No Easy Way Down Written-By – Gerry Goffin & Carole King	3:08
4	So Much Love Written-By – Gerry Goffin & Carole King	3:28
5	Breakfast In Bed Written-By – D. Fritts, Ed Hinton	2:54
6	I Can't Make It Alone Written-By – Gerry Goffin & Carole King	3:47
7	Don't Forget About Me Congas – Mike LeachGuitar – Tommy CogbillWritten-By – Gerry Goffin & Carole King	2:49
8	I Don't Want To Hear It Anymore Written-By – Randy Newman	3:06
9	The Windmills Of Your Mind Congas – Bobby EmmonsWritten-By – Bergman, Bergman, Legrand	3:48
10	Just A Little Lovin' Written-By – Barry Mann & Cynthia Weil	2:15
11	Son Of A Preacher Man Written-By – John Hurley, Ronnie Wilkins	2:19

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
SD 8214	Dusty Springfield	Dusty In Memphis ‎(LP, Album, CT )	Atlantic	SD 8214	US	1969
4M112	Dusty Springfield	Dusty In Memphis ‎(LP, Album, RE, 180)	4 Men With Beards	4M112	US	2002
SD 8214, SD 8214 CR	Dusty Springfield	Dusty In Memphis ‎(LP, Album, RE)	Atlantic, Atlantic	SD 8214, SD 8214 CR	Canada	Unknown
SD 8214	Dusty Springfield	Dusty In Memphis ‎(LP, Album, Promo, Pre)	Atlantic	SD 8214	US	1969
846 252-2	Dusty Springfield	Dusty In Memphis ‎(CD, Album)	Phonogram, Philips	846 252-2	Australasia	1990

Credits

Arranged By [Horns] – Arif Mardin, Tom Dowd
Arranged By [Strings] – Arif Mardin
Backing Vocals – The Sweet Inspirations
Bass – Tommy Cogbill
Design [Album] – Haig Adishian
Drums – Gene Chrisman
Engineer [Recording] – Ed Kollis
Guitar, Sitar – Reggie Young
Lacquer Cut By – ᶜB
Liner Notes – Stanley Booth
Organ, Electric Piano – Bobby Emmons
Piano – Bobby Wood
Producer – Arif Mardin, Jerry Wexler, Tom Dowd

Arranged By – Thom Bell (tracks: 15, 16)
Arranged By [Horns] – Arif Mardin (tracks: 1 to 12), Tom Dowd (tracks: 1 to 12)
Arranged By [Strings] – Arif Mardin (tracks: 1 to 12)
Art Direction – Hugh Brown , Rachel Gutek
Backing Vocals – The Sweet Inspirations (tracks: 1 to 12)
Bass – Tommy Cogbill (tracks: 1 to 12)
Congas – Bobby Emmons (tracks: 8), Mike Leach (tracks: 9)
Coordinator [Editorial] – Elizabeth Pavone
Design – Rachel Gutek
Design [Original Album] – Haig Adishian
Directed By [String Section] – Gene Orloff (tracks: 1 to 12)
Drums – Gene Chrisman (tracks: 1 to 12)
Engineer – Ed Kollis (tracks: 1 to 12), Joe Venerri (tracks: 17 to 25)
Engineer [Sound Produced By] – Bill Inglot
Guitar, Sitar – Reggie Young (tracks: 1 to 12)
Organ, Electric Piano – Bobby Emmons (tracks: 1 to 12)
Photography By [Booklet Cover] – David Redfern
Piano – Bobby Wood (tracks: 1 to 12)
Producer – Arif Mardin (tracks: 1 to 14), Gamble-Huff Productions (tracks: 15, 16), Jeff Barry (tracks: 17 to 25), Jerry Wexler (tracks: 1 to 14), Tom Dowd (tracks: 1 to 14)
Reissue Producer, Compilation Producer – Jim Pierson
Remastered By – Dan Hersch
Research [Editorial] – Daniel Goldmark
Supervised By – Patrick Milligan
Supervised By [Editorial] – Julee Stover

Notes

Premium HQ-180 gram RTI vinyl pressing.Rhino Presents Atlantic & ATCO Remasters Series. CRC On J-Card Spine. Tracks 1 to 11 originally issued as Atlantic #8214 (1/17/1969).

Special Thanks: Jeff Barry, Paul Howes, Robin Schwartz, Andy Wombwell, Steve Woolard

Barcodes

Barcode (Text): 0 20831-1193-4 13
Barcode (Scanned): 020831119344
Other: CRC On J-Card Spine

Barcode (Sticker): 081227937942

Companies

Manufactured By – Rhino Entertainment Company
Marketed By – Rhino Entertainment Company
Pressed By – Record Technology Incorporated

Remastered At – DigiPrep

Video

Comments: (11)

Bundis

Ok I haven't bought the Abbey Road reissue yet ,,, Can anyone compare the two has both. Because I heard both rips by someone but they were identical how can that be.

Vudozilkree

To my ears, the 2017 Rhino pressing sounds really good. Well balanced and clear. MUCH better than the 4MWB pressing, and clearer, punchier mix than the 2017 Mercury UK pressing. My copy has very faint surface noise during the dead wax, but you'd only notice if you were really listening for it. I'd recommend this one.

Roram

Generally speaking, I find Rhino's reissues to be a "mixed bag." Which, considering they've reissued just about every release in existence can be really frustrating. I own this LP, and I think it sounds pretty good--significantly better than 4 Men with Beards' Dusty Springfield - Dusty In Memphis, which I also own.I don't necessarily recognize an alternate mix, but albertocaeiro owns several different copies of this LP and gives an extensive (and helpful) explanation of the difference between this reissue and other pressings.

Fog

Hows the sound on this pressing? I see the 4MWB version is getting trashed. I almost bought that one, but will try this version instead. As Mikeh69 comments - looking forward to a different mix than what I've been hearing all these years. Cheers!

Moralsa

I'm listening to right now. Sound is superb. Pressed at RTI and cut by Chris Bellman. There is another reissue on 45rpm which might be better but I've got nothing to complain about with this one.

Risky Strong Dromedary

I was listening to this version of this album and there is something very different about the mix. Like it's a alternate mix of it. I can't put my finger on it but something is different about it.

spark

The original mix Dusty is in the left speaker and the musicians are in the right speaker. How did Bellman change the mix.

Blackstalker

Tuesday evening PDT 9th Octobre 2018:There's only one mix of DIM, to my knowledge. What you're hearing in this latest iteration may jibe with my own perception/critique: Cutter Chris Bellman did some fiddling here, enough to distinguish it from my copies of the Presswell-press white label promo, the Monarch press (same matrices) and even the Columbia Terre Haute pressing (-1C matrices). All of the latter 3 generally sound similar: Dusty's voice is up front. It's REALLY obvious of the disconnect between where she recorded her voice and where the musicians played - - - they sound remote and drenched in reverb. On this remaster, Dusty sounds not as present, pushed slightly back. I don't like it. Initially, listening to my orig. issues, I didn't like Dusty sounding so bizarrely remote from the musicians, but I've grown accustomed to the recording over the years; ultimately, I like the original mastering of her voice, sounding closer to us. I don't like how Chris has slightly recessed DS's voice in 2017.A plus: I also hear on this remaster the instruments sounding clearer, more defined, not as smeared as they sound on the original masterings. Stronger bass, here, too.Lastly, another plus for this reissue is that the grooves closest to the label improve on the orig. cuts: no sibilance here, whereas I get annoying sibilance to varying degrees on my older 3 copies, especially the Columbia -1C cuts.All in all, although this pressing is dead quiet with a slightly more robust instrumentation, I can't get over the treatment of DS's voice. So, my go-to is my WLP (or even my Monarch). If otoh, a listener is new to this recording, then this affordable, well-pressed re-ish will do fine.

Yainai

Can anyone look at the run-out etchings and tell who mastered this?

RUL

Yep, mine too. A very nice sounding record, BTW. Much better than my CD.

GYBYXOH

Cut by Chris Bellman. It has ᶜB in the deadwax.

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