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Elmer Bernstein - The Good Son FLAC

Elmer Bernstein - The Good Son FLAC
  • Performer: Elmer Bernstein
  • Title: The Good Son
  • Genre: Stage & TV
  • Cat #: 07822 11013-2
  • Label: Fox Records
  • Country: US
  • Date of release: 1993
  • Style: Score
  • FLAC size 1958 mb
  • MP3 size: 2468 mb
  • Record From CD, Album

Tracklist

1Evil 2:20
2Mark Arrives2:49
3Hospital 0:51
4Susan 2:28
5Goodbye 1:41
6The Cliff
Orchestrated By – Patrick Russ
4:26
7Dog Chase 2:43
8Treehouse 2:00
9End Credits4:35
10The Good Son2:22
11Richard's Duck1:18
12Mr. Highway2:13
13Threat 1:16
14Killing The Dog1:55
15Mom 1:47
16Dark 2:56
17Skating & Drowning
Orchestrated By – Patrick Russ
3:26
18Funeral 1:48
19Rocks & Rails1:34

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
07822 11013-4 Elmer Bernstein The Good Son ‎(Cass, Album)Fox Records07822 11013-4 US1993
BVCA 633Elmer Bernstein The Good Son ‎(CD)Fox RecordsBVCA 633Japan1994

Credits

  • ContractorSandy de Crescent
  • Mastered ByStephen Marcussen
  • Ondes MartenotCynthia Millar
  • Orchestrated ByEmilie A. Bernstein (tracks: 1 to 12, 14 to 17, 19)
  • Recorded ByDan Wallin

Notes

Cynthia Millar is spelled as "Miller" in liner notes.

Recorded in August 1993.

Barcodes

  • Barcode: 07822-110013-2 5
  • Rights Society: ASCAP

Companies

  • Marketed By – Arista Records, Inc.
  • Distributed By – Arista Records, Inc.
  • Recorded At – Paramount Recording Studios
  • Mastered At – Precision Mastering
  • Published By – TCF Music Publishing, Inc.

Comments: (1)
Moronydit
Elmer Bernstein's wonderful music was the best thing about this otherwise mediocre movie. The innocent yet haunting piano cue that opens the movie reflects the mysterious evil behind Macaulay Culkin's apparent innocence. It really is a beautiful tune that provokes images of lost childhood and sadness, emotions that were (and still are) beyond Mac's ability to exhibit.

It's not all bittersweet emotion however, Bernstein delivers two ferociously powerful suspense tracks with "Skating and Drowning" and "The Cliff", both of them percussion-led cues of raw, fierce power that he later attempted to re-use in Last Man Standing but his score was rejected by Walter Hill. You can still hear them in more fitting context in The Good Son.

The CD is long out of print but it is still worth hunting down, and perhaps a contemporary label will give it a re-release and a better presentation in the future.
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