Bass – Tony HallDrums, Cymbal – Larry Mullen, Jr.Electric Guitar, Percussion – Daniel LanoisHarmony Vocals – Neil YoungPerformer [Roto Wheel] – Sam O'SullivanPiano, Tambourine, Vibraphone – Malcolm BurnWritten-By – Neil Young
4:49
9
Goin' Back To Harlan
Acoustic Guitar – Emmylou HarrisDrum [Indian Hand Drum] – Brian BladeDrums [Drum Kit Bass Pedals], Backing Vocals – Daryl JohnsonMandolin – Daniel LanoisOrgan, Tom Tom, Synth [Sci-fi Synth] – Malcolm BurnPercussion [Extro Percussion] – Kufaru MoutonWritten-By – Anna McGarrigle
4:51
10
Sweet Old World
Acoustic Guitar – Lucinda Williams, Steve EarleDrums – Larry Mullen, Jr.Guitar [Tremolo Guitar] – Richard BennettGuitar, Mandolin, Effects [Bass Pedals] – Daniel LanoisHarmony Vocals, Harmonica – Neil YoungSlide Guitar, Piano – Malcolm BurnWritten-By – Lucinda Williams
5:06
11
Deeper Well
Bass – Tony HallBass [Harmonic Bass] – Daryl JohnsonDrums – Larry Mullen, Jr.Electric Guitar – Daniel LanoisKeyboards – Malcolm BurnWritten-By – Daniel Lanois, Dave Olney, Emmylou Harris
4:19
12
Where Will I Be
Drums – Brian BladeHarmony Vocals [High Harmony Vocal], Tom Tom – Daryl JohnsonMandolin, Electric Guitar, Bass, Vocals [Duet Vocal] – Daniel LanoisWritten-By – Daniel Lanois
4:15
Versions
Category
Artist
Title (Format)
Label
Category
Country
Year
9902282
Emmylou Harris
Wrecking Ball (HDCD, Album)
The Grapevine Label, Arcade, CNR Music
9902282
Europe
1995
61854-4
Emmylou Harris
Wrecking Ball (Cass, Album, Club, DOL)
Elektra
61854-4
US
1995
61854-2
Emmylou Harris
Wrecking Ball (HDCD, Album)
Elektra, Asylum Records
61854-2
US
1995
GRACD 102, 193.0102.20
Emmylou Harris
Wrecking Ball (HDCD, Album)
The Grapevine Label, The Grapevine Label
GRACD 102, 193.0102.20
UK
1995
GRACD 102
Emmylou Harris
Wrecking Ball (HDCD, Album)
The Grapevine Label
GRACD 102
Scandinavia
1995
Category
Artist
Title (Format)
Label
Category
Country
Year
9902282
Emmylou Harris
Wrecking Ball (HDCD, Album)
The Grapevine Label, Arcade, CNR Music
9902282
Europe
1995
61854-4
Emmylou Harris
Wrecking Ball (Cass, Album, Club, DOL)
Elektra
61854-4
US
1995
GRACD 102, 193.0102.20
Emmylou Harris
Wrecking Ball (HDCD, Album)
The Grapevine Label, The Grapevine Label
GRACD 102, 193.0102.20
UK
1995
GRACD 102
Emmylou Harris
Wrecking Ball (HDCD, Album)
The Grapevine Label
GRACD 102
Scandinavia
1995
9902282
Emmylou Harris
Wrecking Ball (HDCD, Album)
The Grapevine Label, Arcade
9902282
Europe
1995
Credits
Artwork By [Concept Of Painting] – Diego Pereria
Artwork By [Direction] – Juliana Hammond Maxwell
Engineer – Mark Howard
Engineer [Secondary] – Sandy Jenkins
Engineer [Secondary], Edited By [Many Great], Sequenced By [Technical Support], Mastered By [Technical Support] – Trina Shoemaker
Management [Assistant] – Stephen Cox
Management [For D. Lanois], Other [Much Behind The Scenes Coordination And Planning] – Melanie Ciccone
Mastered By – Joe Gastwirt
Other [Additional Assistance] – Amy Huges, Chris Stone, Lisa Robertson
Other [Assistance And Overseeing] – Wayne Lorenz
Other [Coordination] – Karen Brady
Other [Copy Coordinator] – Whitney Sutton
Other [The Wearer Of Many Hats And General Assistant To D. Lanois] – Rob Mitchell
Photography – Bob Lanois
Photography [Printing And Coloration] – Jim Merrill
Producer – Daniel Lanois
Recorded By, Mixed By, Other [Help With Song Selection], Arranged By [Help With] – Malcolm Burn
Vocals [Uncredited] – Emmylou Harris
Design – Juliana Hammond Maxwell
Photography By – Bob Lanois
Producer – Daniel Lanois
Art Direction – Juliana Hammond Maxwell
Coordinator [Assistant To Melanie Ciccone] – Stephen Cox
Coordinator [Coordination At Kingsway Studios] – Karen Brady
Coordinator [Copy Coordinator] – Whitney Sutton
Coordinator [The Wearer Of Many Hats And Assistant To D. Lanois] – Rob Mitchell
Design Concept [Concept Of Painting] – Diego Pereria
Engineer – Mark Howard
Engineer [Additional Assistance At Woodland] – Amy Hughes, Chris Stone
Engineer [Assistance In Nashville And Woodland] – Lisa Roberson
Engineer, Edited By, Technician [Technical Support With Sequencing And Mastering] – Trina Shoemaker
Image Editor [Photography Printing And Coloration] – Jim Merrill
Management – M.Hitchcock Management
Management [Management For D. Lanois], Coordinator [Much Much Behind The Scenes Coordination And Planning] – Melanie Ciccone
Mastered By – Joe Gastwirt
Photography By – Bob Lanois
Producer – Daniel Lanois
Recorded By, Mixed By, Other [Help With Song Choices], Arranged By [Help With Arrangements] – Malcolm Burn
Supervised By [Assistance And Overseeing In San Francisco] – Wayne Lorenz
Technician [Extensive Set Up At Woodland Studios], Engineer – Sandy Jenkins
Art Direction – Juliana Hammond Maxwell
Artwork [Concept Of Painting] – Diego Pereria
Coordinator [Coordination] – Karen Brady
Design – Evan Gaffney Design
Engineer – Mark Howard
Engineer [Secondary] – Sandy Jenkins
Engineer [Secondary], Edited By [Many Great], Sequenced By [Technical Support], Mastered By [Technical Support] – Trina Shoemaker
Executive-Producer – David Bither
Liner Notes – Gillian Welch
Management [Assistant] – Stephen Cox
Management [For D. Lanois], Coordinator [Much Behind The Scenes Coordination And Planning] – Melanie Ciccone
Mastered By – Joe Gastwirt
Other [Additional Assistance] – Amy Hughes, Chris Stone, Lisa Roberson
Other [Assistance And Overseeing] – Wayne Lorenz
Other [The Wearer Of Many Hats And General Assistant To D. Lanois] – Rob Mitchell
Photography By – Bob Lanois
Photography By [Printing And Coloration] – Jim Merrill
Producer – Daniel Lanois
Recorded By, Mixed By, Other [Help With Song Selection], Arranged By [Help With] – Malcolm Burn
Reissue Producer [Prepared For Reissue] – Arthur Moorhead
Vocals – Emmylou Harris
Notes
Mastered at Oceanview Digital Mastering, Los Angeles, CA.
Manufactured in Canada.Track #9 Listed as "Waterfall" instead of "May This Be Love".Variant of Wrecking Ball: this edition was pressed by Allied Record Company instead of Specialty Records Corporation.
Issued in a jewel case with clear tray and 8-panel foldout insert.
Studios: Woodland Studios in Nashville; Natoma in San Francisco; Kingsway Studio in New Orleans. Mastered at Oceanview Digital Mastering, Los Angeles, CA