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Frostbite - The Second Coming FLAC

Frostbite - The Second Coming FLAC
  • Performer: Frostbite
  • Title: The Second Coming
  • Genre: Electronic
  • Cat #: TPLP666 CD
  • Label: One Little Indian
  • Country: UK
  • Date of release: 1993
  • Style: Experimental, Leftfield, Dance-pop
  • FLAC size 2070 mb
  • MP3 size: 1407 mb
  • Record From CD, Album

Tracklist

1Bar Tender3:04
2Only The Light2:45
3Goldfish6:28
4Sand
Vocals – Katie Jane Garside
5:16
5Frostbite3:25
6Depressed
Vocals – Katie Jane Garside
5:06
7Sorrow4:44
8Loose My Mind
Vocals – Katie Jane Garside
4:14

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
COCY-75800Frostbite The Second Coming ‎(CD, Album, Promo)One Little IndianCOCY-75800Japan1993
COCY-75800Frostbite The Second Coming ‎(CD, Album)One Little IndianCOCY-75800Japan1993
TPLP666Frostbite The Second Coming ‎(LP, Album)One Little IndianTPLP666UK1993

Credits

  • Band, InstrumentsHilmar Örn Hilmarsson
  • Band, Vocals, Trumpet, GuitarEinar Örn Benediktson
  • DesignMe Company
  • EngineerHOH
  • Mixed ByFrostbite , Ken Thomas
  • Technician [Audiofiled By]Kjartan Kjartansson
  • Written-ByFrostbite

Notes

Recorded at Hijodsmidjan, Hjodhamar and Studio Syrland in Iceland. Mixed at Intimate Studios, London.

Barcodes

  • Barcode: 5016958019525 >

Companies

  • Recorded At – Hljóðsmiðjan
  • Recorded At – Stúdió Hljóðhamar
  • Recorded At – Studio Sýrland
  • Mixed At – Intimate Studios
  • Published By – Copyright Control
  • Published By – Einar Örn Benediktson
  • Published By – Hilmar Örn Hilmarsson
  • Phonographic Copyright (p) – One Little Indian Records Ltd.
  • Copyright (c) – One Little Indian Records Ltd.

Video

Comments: (1)
Phalaken
Frostbite was Einar Örn's first musical project after the demise of the Sugarcubes, he teamed up with Hilmar Örn Hilmarsson to create a sound described as dance music for people who cannot dance.

The Second Coming is the project's only release which offers some really weird electronic sounds which is accompanied with Einar Örn's distinctive (spoken) vocals, lyrical the songs deal about life's paranoia, best example is "Loose My Mind" which is in my opinion the strongest track on the record.

Katie Jane Garside contributes some kinky vocals on some of the songs but the best thing of the album are HÖH's weird computer programmed sounds, kind of trip hopish in style and quite organic too.
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