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Harry Belafonte - Belafonte At Carnegie Hall: The Complete Concert FLAC

Harry Belafonte - Belafonte At Carnegie Hall: The Complete Concert FLAC
  • Performer: Harry Belafonte
  • Title: Belafonte At Carnegie Hall: The Complete Concert
  • Genre: Pop
  • Cat #: LOC 6006
  • Label: RCA Victor
  • Country: US
  • Date of release: 1959
  • Style: Calypso, Vocal
  • FLAC size 2290 mb
  • MP3 size: 2082 mb
  • Record From 2 × Vinyl, LP, Album, Mono

Tracklist

1The Marching Saints
2Merci Bon Dieu (From The "Haitian Suite")
3Come Back Liza
4Mama Look A Boo Boo
5Danny Boy
6Jamaica Farewell
7Sylvie
8Cu Cu Ru Cu Cu Paloma
9All My Trials
10Cotton Fields
11Day O
12Shenandoah
13Take My Mother Home
14John Henry
15Matilda
16Introduction Darlin' Cora
17Man Smart (Woman Smarter)
18Man Piaba
19Hava Nageela

Credits

  • ConductorRobert Corman
  • ProducerBob Bollard
  • ConductorRobert Corman
  • ProducerBob Bollard
  • Remastered ByFlavio Lenzi
  • ConductorRobert Corman
  • ProducerBob Bollard

Notes

ALL GN RECORDS ARE LIMITED EDITION @ 500 COPIES ONLY FROM A SINGLE MASTER LACQUER 180 GRAM VIRGIN VINYL RECORDS

Belafonte at Carnegie Hall is a live double album by Harry Belafonte. It is the first of two Belafonte Carnegie Hall albums, and was recorded on April 19 and April 20, 1959. The stereo version of the album was released on the RCA Victor label, in the "Living Stereo" series. The concerts were benefits for The New Lincoln School and Wiltwyck School, respectively.
The album was nominated for Album of the Year at the 1961 Grammy Awards.
All the Master Classic GNR RECORDS re-issues are full analogue remastered records from original master tape. Edited by master engineer Flavio Lenzi the Master Classic by GN RECORDS are revitalised to re-discover any single note of the groove for a real music pleasure.

Triple gatefold cover, hand numbered, comes with a plastic sheet with info.Specifications
■ Model number: SSAR - 016 ~ 017
■ 33 rpm 180 g weight board
■ Booklet with lyrics and bilingual (12 pages total) included
■ Limited production
A masterpiece live album decorating the golden age of Belafonte!

 Harry Belafonte, a prominent vocalist who continues to be loved widely in audio files both domestically and internationally. A masterpiece live album that features patterns of charity concerts held over the two days of April 19th and 20th, 1959, which is also said to be his golden age, with a wonderful voice quality and a rich stereo sound, "Harry · Belafonte · Carnegie · Hall · Concert ". That two-piece analog record finally appears.

 Bob Bollard is the producer of this original board, and Bob Simpson, the recording engineer boasts of US RCA VICTOR. He is working on many other recordings of the same label, but among them the record of the same "LIVING STEREO" series as this album is considerably credited.

 Although the talk deviates a little, this "LIVING STEREO" series tried to let more people taste the wonderfulness and charm of the stereo recording of rich sense of presence, not only the sound quality, about 10 from 1953 RCA VICTOR gathered all the power over the years and recorded a series of LP record works by "Vivid Stereo Recording" (the stereo record of the same series was released in 1958).

 Therefore, this "Harry · Belafonte · Carnegie · Hall Concert" also has a stereo live recording of 1959, which is not yet rich in history yet, it has realistic sound image feeling as if it is hard to believe, You can enjoy the realism like listening at the concert hall.

 As for production of this analog record, as for analog / master tape, same as "Harry · Belafonte · Carnegie · Hall · Concert" of SACD / CD hybrid board which was released earlier, the production team of Sony music is discovered We used a total of 4 analog master tapes (2 tracks / 38 cm / sec). This master tape is A / D converted at 96 kHz / 24 bit by Mr. Yuta Nakamura, an engineer at Sony Music Studio.

 Based on this A / D converted data, Mr. Shigeru Takusawa of Nippon Columbia D / A converted, mastering, and carefully cut into a lacquer board. The cutting amplifier at this time is Neumann "SAL 74 B", the cutting machine is the same "VMS 70", and the cutter head is the same "SX 74".

 In the press process of the final record board, in order to give top priority to the sense of freshness of the sound, we adopt a method called "Metal Master Direct Press". This is a method of creating a metal master disk based on the previous lacquer board and pressing the record directly with this metal master.'Recorded on the spot'

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