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John Cage / David Tudor - Indeterminacy: New Aspect Of Form In Instrumental And Electronic Music FLAC

John Cage / David Tudor - Indeterminacy: New Aspect Of Form In Instrumental And Electronic Music FLAC
  • Performer: John Cage / David Tudor
  • Title: Indeterminacy: New Aspect Of Form In Instrumental And Electronic Music
  • Genre: Electronic
  • Cat #: FT 3704
  • Label: Folkways Records
  • Country: US
  • Date of release: 1959
  • Style: Abstract, Musique Concrète, Experimental
  • FLAC size 1370 mb
  • MP3 size: 2460 mb
  • Record From 2 × Vinyl, LP Box Set

Tracklist

1Indeterminacy: New Aspect Of Form In Instrumental And Electronic Music22:30
2Indeterminacy: New Aspect Of Form In Instrumental And Electronic Music22:30

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
FT 3704John Cage / David Tudor John Cage / David Tudor - Indeterminacy: New Aspect Of Form In Instrumental And Electronic Music ‎(2xLP + Box)Folkways RecordsFT 3704US1959
FT 3704John Cage, David Tudor John Cage, David Tudor - Indeterminacy: New Aspect Of Form In Instrumental And Electronic Music ‎(2xLP + Box)Folkways RecordsFT 3704US1959
DOZ406DLPJohn Cage / David Tudor John Cage / David Tudor - Indeterminacy: New Aspect Of Form In Instrumental And Electronic Music ‎(2xLP, Album, RE, Gat)DoxyDOZ406DLPEurope2011
SF40804/5John Cage / David Tudor John Cage / David Tudor - Indeterminacy: New Aspect Of Form In Instrumental And Electronic Music ‎(2xCD, RE, RM)Smithsonian FolkwaysSF40804/5US1992
SF40804/5, SF 40804/5John Cage / David Tudor John Cage / David Tudor - Indeterminacy (New Aspect Of Form In Instrumental And Electronic Music) ‎(2xCD, RE, RM, Dis)Smithsonian Folkways, Smithsonian FolkwaysSF40804/5, SF 40804/5US1992

Credits

  • Design [Cover Design]Ronald Clyne
  • Performer [Music]David Tudor
  • Performer [Reading]John Cage
  • Photography ByDavid Gahr
  • ProducerJohn Cage, Moses Asch

Notes

Includes booklet.

Late in September in 1958 I was in Stockholm in a hotel. I set about writing the present lecture which I was obliged to give a week later at the Brussels Fair. I recalled a remark made years before by David Tudor that I should make a talk that was nothing but stories. The idea was appealing when he gave it to me but I had never acted on it. A few weeks before, in Darmstadt, Karlheinz Stockhausen had said, "I'll publish your Brussels talk in Die Reihe." I replied, "You'd better wait and see what it is I write." He said, "No matter what it is, I'll publish it." My intention in putting 90 stories together in an unplanned way is to suggest that all things, sounds, stories (and, by extension, beings) are related, and that this complexity is more evident when it is not over-simplified by an idea of relationship in one person's mind. Most of the stories are things that happened that stuck in my mind. Others I read in books and remembered, those for instance, from Kwang-Tse and Sri Ramakrishna. The 2nd, 15th, 16th, 46th, and 75th stories are to be found somewhere in the literature surrounding Zen. David Tudor: piano, whistles, tape machines, and amplified slinky.

David Tudor plays material from his part of the Concert for Piano and Orchestra (1957-58), using tracks from the Fontana Mix (1958-59) as noise elements where these arae notated in Concert

There are 2 different sets here. One has Blue/Silver record labels and the "INDETERMINACY' on the box front is Red. The other has Red/Black record labels and the word "INDETERMINACY" on the box lid is Grey. (cortical)

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