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Kenlou - The Bounce / Gimme Groove FLAC

Performer: Kenlou
Title: The Bounce / Gimme Groove
Genre: Electronic
Cat #: MAW 0003
Label: MAW Records
Country: US
Date of release: May 1995
Style: House, Deep House, Garage House
FLAC size 2081 mb
MP3 size: 2809 mb
Record From Vinyl, 12", 33 ⅓ RPM

Kenlou Maw Records House Deep House Garage House 1995

Tracklist

1	The Bounce Engineer [2nd Engineer] – Oscar MonsalveEngineer [Mix Engineer] – Dave DarlingtonWritten-By – C.K. Gonzalez, L. Vega	7:43
2	Gimme Groove Backing Vocals [Background] – Earl Robinson , Eddie Stockley, Kenny BobianEngineer [2nd Engineer] – Phil PaganoEngineer [Mix Engineer] – Steven BarkanWritten-By – J. Demairo, C.K. Gonzalez, L. Vega	9:25

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
MAW-003	Kenlou 2	The Bounce / Gimme Groove ‎(12", RE)	MAW Records	MAW-003	US	1998
MAW 0003	Kenlou	Gimme Groove / The Bounce ‎(12", Promo, W/Lbl)	MAW Records	MAW 0003	US	1995

Credits

Lacquer Cut By [DMM Runout Etching Treble Clef Symbol] – dG
Producer [Created By] – Masters At Work

Notes

Tracks A & B publishers : Indilu Music (BMI), K-Dope Music (ASCAP)
Track B publisher : Johnick Music (ASCAP)
Recorded & Mixed at Bass Hit Recording, NYC
Special Thanx: Johnny D., Frankie Knuckles, Marcus Wyatt, Lucho,
And All The DJ's Who Support Dance Music.
℗ © 1995 MAW Records

The release was originally issued in a shrinkwrapped black generic die-cut
sleeve with a large sticker on front and a plain square antistatic inner-sleeve.

BPM are not provided on the record (A : 124 BPM / B : 123 BPM).

The 3rd variant is 150 grams in weight.
First ‘B’ and ‘A’ etched on both sides run-outs 3rd variant are scratched out.

The ampersand ‘&’ (also stylised ‘d’ and ‘G’ joined, or ‘Treble Clef’ symbol),
etched on the deadwax, are from the engineer Don Grossinger’s hand.

A promo copy of the release exists.

Barcodes

Barcode (Scanned, UPC, GTIN-12): 732183500311
Barcode (Text, UPC-A, HRI): 7 -3218-35003-1 1
Matrix / Runout (Side A, etched, var. 1): MAW-0003-A EUROPADISK DMM NY USA 12330 & P2
Matrix / Runout (Side B, etched, var. 1): MAW-0003-B EUROPADISK DMM NY USA 12330 & 012
Matrix / Runout (Side A, etched, var. 2): MAW-0003-A EUROPADISK DMM NY USA 12330 & 212
Matrix / Runout (Side B, etched, var. 2): MAW-0003-B EUROPADISK DMM NY USA 12330 & S-1 5
Matrix / Runout (Side A, etched, var. 3): 112 MAW-0003-B-A EUROPADISK DMM NY USA 12330 &
Matrix / Runout (Side B, etched, var. 3): ᕮ12 MAW-0003-A-B EUROPADISK DMM NY USA &
Rights Society (Publishing): BMI
Rights Society (Publishing): ASCAP

Companies

Distributed By – Strictly Rhythm Records
Manufactured By – Strictly Rhythm Records
Phonographic Copyright (p) – MAW Records
Copyright (c) – MAW Records
Pressed By – Europadisk – 12330
Published By – Indilu Publishing
Published By – Johnick Music
Published By – K-Dope Music
Recorded At – Bass Hit Studios
Mixed At – Bass Hit Studios
Mastered At – Europadisk
Lacquer Cut At – Europadisk

Video

Comments: (16)

Enalonasa

I'm actually in agreement with a couple of the other posters who say that the 'Bounce' is over rated. I will not, however, hear a word said against 'Gimme Groove' which is a monumental deep house record. You can't knock it one bit.

Manemanu

I am pretty sure I have heard a couple of DJs - Chez D, Honey D, among them - slay down a sax edit of The Bounce Does anybody know what track I am referring to? I've searched for it far and long and can't find it.

Heraly

The track is called Son of Mongo by Harry Choo Choo

Syleazahad

I think you mean Blue Train - Get Movin' (Johnick Trumpet)

Tejora

Gimme the groove has a great intro break that sounds like a sound check but fuk me come on guys you are making this out to be some sort of life changing tune. It a mess of a track with some good sounds.

Washington

its not life changing, but has a more than decent bassline with plenty of groove -

Uscavel

I think it's The Bounce that everyone raves about and rightly so.

Antuiserum

This is so so over hyped no ones dancing to this , come I run this genre is there a hidden message I'm missing?

Feri

You're not hearing it right mate. "I run this genre..." ha ha yeah okaaaayyyyyyy.

GWEZJ

maybe you just like really shite music. the bounce full stop

huckman

the name "the bounce" could not fit better - the best as house can get.groovy as hell, not movin' & shakin' to this is almost a crime.

Wat!?

"The Bounce" contains samples of "Sparque - Take Some Time" (1984).

Kemath

In addition to the other review MAW's, I'm assuming original idea for Bounce which I feel really captures they're experimental side was their Dub from Incognito's Everyday 12" on Talking Loud.

Funky

Yeah i think kenny has admitted as much. Apparently some engineer in the studio been used sort of convinced him to add some more layers to it. Mr engineer the whole of the real house world owes you a lot of thanks

Nilarius

Thats right. I remember reading shortly before it was released that it was one of the unreleased dubs for Incognito on TL

Clever

This is Masters At Work at their absolute peak of being creative and playful!"The Bounce" unveils layers of layers of extremely clever drumprogramming with a unmatched perfection of the finest details and arrangement. On top of it all an instrument or somehow modulated vocal adds the last spice to set the underground party on fire! A luminous example of how to create wild dancefloor appeal, experiment at the same time and making it all work. One of the big club records of 1995 which again, like many other great releases from this era, could be played in both a House or Techno context."Gimme Groove" is a bittersweet lullaby'ish disco groove which is a fitting contrast to "The Bounce". Again MAW delievers something special and of it's own nature. Even though it comes across as slightly more traditional, it catches you straight away and drags you into that special atmosphere that you never want to end.

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