The Light Of The Spirit (Cass, Album, Unofficial)
King Records
K 0064
Poland
Unknown
GEFMC 24163
Kitaro
The Light Of The Spirit (Cass, Album)
Geffen Cassettes
GEFMC 24163
Canada
1987
GHS 24163
Kitaro
The Light Of The Spirit (LP, Album)
Geffen Records
GHS 24163
US
1987
M5G 24163
Kitaro
The Light Of The Spirit (Cass, Album, Club)
Geffen Records
M5G 24163
US
1987
Credits
Arranged By – Kitaro
Artwork By – Laura LiPuma
Effects [Spatial] – Mickey Hart
Flute – John Meyer
Guitar – Hiroshi Araki
Guitar [Electric] – Bobby Vega
Guitar [Pedal Steel] – Bobby Black
Keyboards – Tomoyuki Hayashi
Mandolin – David Grisman
Mastered By – George Horn
Mastered By [Compact Disc] – Barry Diament
Mixed By – Kitaro
Percussion – Jose Lorenzo, Mickey Hart, Zakir Hussain
Photography [Back Cover] – Yukio Ohyama
Photography [Front Cover] – Ryuzo Toyotaka
Producer [Assistant] – Noboru Kato, Pat Hill, Ruriko Sakumi, Tom Size
Programmed By – Jeff Sterling
Recorded By – Tom Flye
Synthesizer [Synthesizer Operator] – Jeff Sterling
Violin – Norihiro Tsuru
Vocals – Jeanny Tracy, Lynn Ray
Written-By – Kitaro
Notes
Direction and Management: Eiichi Naito, Amuse America, Inc. Tsutomu Tanikawa, Project Kitaro, Co. A&R Coordination: Tom Zutaut
Secial Thanks: Otari Corporation Grateful Dead Productions Kazu and Mayumi Yanagi The Staff of Geffen Records
All Songs Published By Publisher House Amuse And Kitaro Music Publishing, Administered By Brainstorm Music, Inc., ASCAP
(P) & (C) 1987 Amuse America Inc, a MCA Company Distributed by BMG, a Bertelsmann Music Group Company
This Project Was Tracked At Kitaro's Studio In Japan On An Otari DTR 900 Thirty-Two Track Digital Recorder Using One Inch Tape. Overdubs Were Done At Fantasy Studio "D", Berkeley, California, On A Mitsubishi X850 Thirty-Two Track Digital Recorder. The Project Was Mixed From An Otari DTR 900 Thirty-Two Track To A Mitsubishi X80 Digital Recorder Using One-Quarter Inch Tape. In The Mastering Process Meyer's Phase Correction Filters Were Used To Feed The Signal To A Sphere Custom Console Using Sontec Equalization. Finally, The Signal Was Transferred To The Sony PCM 1630 Digital Recorder Using U-Matic Tape Wich Has A Sampling Rate Of 44.1 KHz. This Master Tape Was Used In Making The Compact Disc. The Final Analog Master Disc Was Cut From The Mitsubishi X80 As Well As The Bin Loop Master For The Audio Cassettes. John Meyer's Meyer Model 833 Studio Monitors And Subs Were Used In The Overdub Sessions.
Barcodes
Barcode: 075992416320
Video
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