Little Feat - Waiting For Columbus FLAC

• Performer: Little Feat
• Title: Waiting For Columbus
• Genre: Rock
• Cat #: 2BS 3140
• Label: Warner Bros. Records
• Country: US
• Date of release: 1978
• Style: Classic Rock, Blues Rock
• FLAC size 1183 mb
• MP3 size: 2379 mb
• Record From 2 × Vinyl, LP, Album, Los Angeles Pressing

Little Feat Warner Bros Records Classic Rock Blues Rock 1978

• Horns – The Tower Of Power Horn Section
• Mixed By [Help By] – Bill Robinson , Jim Isaacson, Peggy McCreary
• Performer – Bill Payne, Kenny Gradney, Paul Barrère, Richie Hayward, Sam Clayton
• Photography By – Debby Chesher, Elizabeth George , Nancy Goldfarb
• Producer, Performer – Lowell George
• Recorded By – Andy Bloch, George Massenburg, Warren Dewey
• Written-By – B. Payne (tracks: A4, B1, B2, C1, C2), E. Ingber (tracks: D2), Tate (tracks: B2), F. Martin (tracks: C2, D5), G.P. Barrere (tracks: A5), K. Gradney (tracks: B1), L. Wagner (tracks: D2), George (tracks: A2, B3 to C1, C3, D1, D3 to D5), Barrère (tracks: A3, A5, B1, D5), Hayward (tracks: B3)

• A&R [Assistance] – David Baker, David McLees, Mark Leviton, Randy Perry, Robin Hurley
• Art Direction, Design – Greg Allen
• Band [Little Feat], Bass – Kenny Gradney
• Band [Little Feat], Congas, Percussion, Vocals – Sam Clayton
• Band [Little Feat], Drums, Percussion, Vocals – Richie Hayward
• Band [Little Feat], Vocals, Guitar [Guitars] – Paul Barrère
• Band [Little Feat], Vocals, Guitar [Guitars], Maracas, Cowbell – Lowell George
• Band [Little Feat], Vocals, Piano, Electric Piano, Organ, Synthesizer – Bill Payne
• Coordinator [Liner Notes] – Leigh Hall
• Featuring [With The Tower Of Power Horn Section], Baritone Saxophone [Baritone Sax] – Stephen "Doc" Kupka
• Featuring [With The Tower Of Power Horn Section], Tenor Saxophone [1st Tenor Sax], Clarinet, Soloist [Solos], Alto Saxophone [Alto Sax] – Lenny Pickett
• Featuring [With The Tower Of Power Horn Section], Tenor Saxophone [2nd Tenor Sax] – Emilio Castillo
• Featuring [With The Tower Of Power Horn Section], Trumpet [1st], Trombone – Mic Gillette
• Featuring [With The Tower Of Power Horn Section], Trumpet [2nd], Arranged By [Horns] – Greg Adams
• Featuring [With] – Tower Of Power Horn Section
• Featuring [With], Backing Vocals – Michael McDonald (tracks: 2-14), Patrick Simmons (tracks: 2-14)
• Featuring [With], Guitar – Mick Taylor (tracks: 2-3)
• Liner Notes [Reissue] – B.S.
• Management – Deep South Entertainment
• Management [Business Affairs] – Malia Doss
• Mixed By – Bill Inglot (tracks: 2-11, 2-12), Brian Kehew (tracks: 2-11, 2-12), George Massenburg (tracks: 2-13 to 2-15), Warren Dewey (tracks: 1-1 to 2-10)
• Mixed By [Assistant Engineers] – Barbara Rooney (tracks: 2-13 to 2-15), Billy Youdelman (tracks: 2-13 to 2-15), Jim Isaacson (tracks: 1-1 to 2-10), Peggy McCreary (tracks: 1-1 to 2-10), Ron Pendragon (tracks: 2-13 to 2-15), Steve Hodge (tracks: 1-1 to 2-10)
• Photography By [Photos] – Chris Van Der Vooren, Richard Young , Robert Matheu
• Producer – Bill Payne (tracks: 2-13 to 2-15), George Massenburg (tracks: 2-13 to 2-15), Lowell George (tracks: 1-1 to 2-5), Paul Barrère (tracks: 2-13 to 2-15)
• Product Manager – Emily Cagan
• Recorded By [With The Fedco Remote, Assisted By] – Andy Bloch (tracks: 1-1 to 1-4, 1-12 to 2-2, 2-4 to 2-7, 2-9, 2-10, 2-12 to 2-15)
• Recorded By [With The Fedco Remote] – Warren Dewey (tracks: 1-1 to 1-4, 1-12 to 2-2, 2-4 to 2-7, 2-9, 2-10, 2-12 to 2-15)
• Recorded By [With The Manor Mobile Unit, Assisted By] – Andy Bloch (tracks: 1-5 to 1-11, 2-3, 2-8, 2-11)
• Recorded By [With The Manor Mobile Unit] – George Massenburg (tracks: 1-5 to 1-11, 2-3, 2-8, 2-11)
• Reissue Producer [This Reissue/Compilation Produced For Release By] – Bill Payne, Gary Peterson , Paul Barrere
• Remastered By – Bill Inglot, Dan Hersch
• Research [Editorial Research] – Steven Chean
• Supervised By [Editorial Supervision] – Sheryl Farber

Recorded at:
The Rainbow Theatre, London, England, with the Manor Mobile Unit, 8/1/77 (-), 8/2/77 (1-8, 1-11, 2-8), 8/3/77 (1-6, 1-7, 2-3), 8/4/77 (1-5, horn break on 1-6, 1-9, 1-10, 2-11)
Lisner Auditorium, George Washington University, Washington, DC, with the Fedco Remote, 8/8/77 (1-2 to 1-4, 1-12 to 2-2, 2-10, 2-13, 2-14), 8/9/77 (2-5 to 2-7, 2-12, 2-15), 8/10/77 (2-4, 2-9)
[Note: Manchester City Hall, Manchester, England (7/29/77) was also recorded on 24-track tape, but nothing was ever used from this date.]

Disc 1 (all) & disc 2 (2-1 to 2-5) from the original release of Waiting For Columbus, Warner Bros. #2BS-3140 (2/10/78)
Refurbished at Sunset Sound, Hollywood, CA; Westlake Audio, Los Angeles, CA (8/19/77-9/10/77). Mixed at Westlake Audio, Los Angeles, CA (9/12/77-10/16/77)
[Note: For aesthetic reasons, the playing order of Sides 2 (1-9 to 1-12) & 3 (1-6 to 1-8) has been switched so that the band's main set (contained on Disc 1) now concludes with the long ovation that leads into the encore.]

Disc 2 (2-6 to 2-10)
Performances that were refurbished & mixed for the original album Waiting For Columbus, but not used.

Disc 2 (2-11, 2-12)
Selections that were apparently never considered for inclusion on either the original album or Hoy-Hoy! They are newly mixed from the original multitrack tapes and do not contain any overdubs.

Disc 2 (2-13 to 2-15)
First issued on the album Hoy-Hoy!, Warner Bros. #2BSK-3538 (7/29/81)
Refurbished & mixed at George Massenburg Studios (The Complex), West Los Angeles, CA (12/80-3/81)

[Note: This release now contains all the songs that were performed at the series of shows recorded for this album.]

Reissue annotation:
Mixes for "Cold, Cold, Cold" & "Day At The Dog Races" (2-11, 2-12) at Capitol Studios

Art Direction, Design: GregAllen@gapd

This Reissue/Compilation ℗ 1978, 1981 & 2002 Warner Bros. Records Inc. © 1978 & 2002 Warner Bros. Records Inc. & Rhino Entertainment Company.
Made in Germany.

Released in slim double jewel case housed in an extra cardboard sleeve, with 24 pp. booklet.Capitol Los Angeles pressing released in gatefold sleeve with Burbank Label

℗ © 1978 Warner Bros. Records Inc.

• Barcode (Text): 0 8122-78274-27
• Barcode (String): 081227827427
• Rights Society: GEMA/BIEM
• Label Code: LC 02982
• Matrix / Runout (CD1): Warner [Logotype] 812278274-2/1 03/02
• Matrix / Runout (CD2): Warner [Logotype] 812278274-2/2.2 03/02
• Mastering SID Code (CD1, CD2): IFPI L011
• Mould SID Code (CD1, variant 1): IFPI 0568
• Mould SID Code (CD2, variant 1): IFPI 05A5
• Mould SID Code (CD1, variant 2): IFPI 05N2
• Mould SID Code (CD2, variant 2): IFPI 05N9
• Mould SID Code (CD1 variant 3): IFPI 05N7
• Mould SID Code (CD2 variant 3): IFPI 05L3
• Mould SID Code (CD1 variant 4): IFPI 0588
• Mould SID Code (CD2 variant 4): IFPI 05N7
• Mould SID Code (CD1 variant 5): IFPI 05N4
• Mould SID Code (CD2 variant 5): IFPI 05P1

• Matrix / Runout (A Side etched Variant 1): 2-WB-1-3140 LW-3..
• Matrix / Runout (B Side etched Variant 1): 2-3140 Record 1 LW-1
• Matrix / Runout (C Side etched Variant 1): 2-B-S-3-3140 Record 2 LW-2
• Matrix / Runout (D Side etched Variant 1): 2-BS-4-3140 Record 2 LW-1
• Matrix / Runout (A And C Side stamped Variant 1): TML-S ✲
• Matrix / Runout (B And D Side stamped Variant 1): TML-M ✲
• Matrix / Runout (A Side etched TML-M ✲ stamped Variant 2): N 2-WBS-1-3140 Record 1 LW-1. TML-M 1✲
• Matrix / Runout (B Side etched TML-S ✲ stamped Variant 2): 2-WBS-2-3140 Record 1 LW-2. TML-S 2 ✲
• Matrix / Runout (C Side etched TML-S ✲ stamped Variant 2): 2-WBS-3-3140 Record 2. LW-2 1 TML-S ✲
• Matrix / Runout (D Side etched TML-S ✲ stamped variant 2): 2-WBS-4-3140 Record 2. LW-2. TML-S 3 ✲

• Pressed By – Capitol Records Pressing Plant, Los Angeles
• Phonographic Copyright (p) – Warner Bros. Records Inc.
• Copyright (c) – Warner Bros. Records Inc.
• Mastered At – The Mastering Lab
• Recorded At – Rainbow Theatre London
• Recorded At – Lisner Auditorium
• Recorded By – Manor Mobile
• Mixed At – Sunset Sound

• Recorded By – Manor Mobile
• Recorded By – Fedco Audio Labs
• Phonographic Copyright (p) – Warner Bros. Records Inc.
• Copyright (c) – Warner Bros. Records Inc.
• Copyright (c) – Rhino Entertainment Company
• Made By – Warner Music Manufacturing Europe
• Recorded At – Rainbow Theatre London
• Recorded At – Lisner Auditorium
• Mixed At – Westlake Audio
• Mixed At – The Complex
• Mixed At – Capitol Studios
• Remastered At – DigiPrep
• Designed At – GAPD