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Mark 'Oh vs. John Davies - The Sparrows And The Nightingales FLAC

Mark 'Oh vs. John Davies - The Sparrows And The Nightingales FLAC
  • Performer: Mark 'Oh vs. John Davies
  • Title: The Sparrows And The Nightingales
  • Genre: Electronic
  • Cat #: 7243 8 95915 2 1, 8 95915 2
  • Label: Orbit Records
  • Country: Germany
  • Date of release: 10 May 1999
  • Style: Trance, Euro House, Progressive Trance
  • FLAC size 2093 mb
  • MP3 size: 1501 mb
  • Record From CD, Maxi-Single

Tracklist

1The Sparrows And The Nightingales (Long Mix)5:11
2The Sparrows And The Nightingales (D.V. Remix)
Remix – D.V.Remix, Producer [Additional Production] – A. Schaar, Steven Mercury
6:02
3The Sparrows And The Nightingales (Oliver Lieb Main Mix)
Remix, Producer [Additional Production] – Oliver Lieb
6:27
4The Sparrows And The Nightingales (Oliver Lieb Club Mix)
Remix, Producer [Additional Production] – Oliver Lieb
6:27
5The Sparrows And The Nightingales (Short Mix)3:15

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
noneMark 'Oh vs. John Davies The Sparrows And The Nightingales ‎(CD, Single, Promo)Orbit RecordsnoneGermany1999
noneMark 'Oh vs. John Davies The Sparrows And The Nightingales ‎(12", Promo)Orbit RecordsnoneGermany1999
DMDORBIT025Mark 'Oh vs. John Davies The Sparrows And The Nightingales ‎(12")Orbit RecordsDMDORBIT025Europe1999

Credits

  • Booking [Booking & Information]Tim Schuldt
  • Music By, Lyrics ByCarlos Peron, Markus Reinhardt, Peter Heppner
  • Photography ByGaby Gerster
  • ProducerClaus Hägele, Marko Albrecht

Notes

Published by Hanseatic Musikverlag GmbH / Strange Ways Records Lothar Gärtner.
Produced at Studi'Oh for Randy Recordings.
Track 4: Remix and additional production by A. Schaar for Wunderwaffe! and Steven Mercury for F.A.Y.M.

Sleeve designed at www.eikesgrafischerhort.com

The copyright in this recording is owned by Orbit Records GmbH.
(p) 1999 Orbit Records GmbH
(c) 1999 Orbit Records GmbH
Printed in EU.
Made in EU.

Barcodes

  • Barcode (Text): 7 24389 59152 1
  • Barcode: 724389591521
  • Label Code: LC 03193
  • Price Code (UK:): none
  • Price Code (F:): PM 515
  • SPARS Code: DDD
  • Rights Society: bel BIEM
  • Matrix / Runout (Variant 1): EMI uDEN 8959152 @ 1 1-2-2-NL
  • Mastering SID Code (Variant 1): IFPI L047
  • Mould SID Code (Variant 1): ifpi 1533
  • Matrix / Runout (Variant 2): EMI uDEN 8959152 @ 1 1-2-3-NL
  • Mastering SID Code (Variant 2): IFPI L047
  • Mould SID Code (Variant 2): ifpi 1593
  • Matrix / Runout (Variant 3): EMI uDEN 8959152 @ 1 1-2-3-NL
  • Mastering SID Code (Variant 3): IFPI L047
  • Mould SID Code (Variant 3): ifpi 1567
  • Matrix / Runout (Variant 4): EMI uDEN 8959152 @ 2 2-1-3-NL
  • Mastering SID Code (Variant 4): IFPI L047
  • Mould SID Code (Variant 4): [missing]

Companies

  • Published By – Hanseatic Musikverlag GmbH
  • Published By – Strange Ways Records
  • Produced At – Studi'Oh
  • Produced For – Randy Recordings
  • Produced For – Wunderwaffe!
  • Produced For – F.A.Y.M.
  • Designed At – Eikes Grafischer Hort
  • Phonographic Copyright (p) – Orbit Records GmbH
  • Copyright (c) – Orbit Records GmbH
  • Marketed By – Virgin Schallplatten GmbH
  • Distributed By – Virgin Schallplatten GmbH
  • Glass Mastered At – EMI Uden
  • Pressed By – EMI Uden

Video

Comments: (2)
Felolune
I couldnt agree with the above review any more, this cd has been with me since its release and even today i can still happilly play the two oliver lieb remixes anytime ...
I've always rated these two oliver lieb remixes in my top remixes of all time and produced at a time when olie was at his best, wicked stuff!!!!
If your a new olie fan and looking for a good place to start, these remixes should do the trick perfectly.
Oppebro
I believe the two Oliver Lieb remixes of this track to be amongst the best work he's ever done. The original is just euro trash, but Lieb turns in two trance (in the real sense of the word) interpretations. There's little difference between the two mixes other than in their arrangement, though at a push I'd say the "Main Mix", is marginally better.

Ironically this track received little attention at the time of its release, but I'm just happy to have discovered this little-known gem.
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