Rs 45/- Inclusive Of All TaxesBlack vinyl with black/silver sleeve with an estimated run of 30 copies.
Both sleeve and labels vary in quality. Sleeves are matt and often have flattened spines, labels can have irregular print. The silver text has a metallic finish.
There are two types of labels, the differences are the text size, and the presence or not of an extra line of credits, 'Licensed from SUB-POP (U.S.A.)' under the track titles. The official black version does have this line of text.
Recorded in Seattle at Reciprocal Recording for $600. Although credited, Jason Everman does not appear on the album. He did cover the studio costs ($606.17), though, which are proudly listed on the album's back cover.Recorded in Seattle at Reciprocal Recording for $600.
2nd pressing. The release is on black vinyl limited to 2000 copies and includes either a Nirvana/Sub Pop poster or an A4 form for the Sub Pop Singles Club.
No ISBN on back cover (1st/2nd pressing from Sub Pop do not include ISBN. 3rd pressing have identical album cover [No ISBN] but comes with colored vinyl, pressed through Erika).
Jason Everman did not actually play any guitar on the album but at the time was playing live with the band, thus his name was included in the credits.Purple vinyl with purple/silver sleeve with an estimated run of 300 copies.
Both sleeve and labels vary in quality. Sleeves are matt and often have flattened spines, labels can have irregular print.
There are two types of labels, the differences are the text size, and the presence or not of an extra line of credits, 'Licensed from SUB-POP (U.S.A.)' under the track titles. Official purple versions do not have this line of text.
Recorded in Seattle at Reciprocal Recording for $600. Although credited, Jason Everman does not appear on the album. He did cover the studio costs ($606.17), though, which are proudly listed on the album's back cover.Lots of spelling errors on the back. On the sticker on the front of the sleeve it reads exactly "HRCD 32-bit D.S.P. Masteping" (not "mastering").