| 1 | –No Artist | Lch 400Hz,500Hz,630Hz -20dB/Rch 500Hz -16dB |
| 2 | Anechoically Recorded Samples For Evaluation | 2:39 |
| 3 | Differences In Sound Recording Method | 8:24 |
| 4 | Anechoic Recording Program | 25:52 |
| 5 | –No Artist | パルス(40ms)7S±20%(ランダム)周期 4回 0dB |
| 6 | –No Artist | 1001Hz 正弦波 チャンネルチェック(L→R) -15dB |
| 7 | –No Artist | Lch 12.5KHz,16KHz,- -20dB/Rch 4KHz -16dB |
| 8 | –No Artist | インパルス(1サンプル)4S±20%(ランダム)周期 8回 0dB |
| 9 | –Debussy | |
| 10 | –Bruckner | |
| 11 | –Verdi | |
| 12 | –Tchaikovsky | |
| 13 | –Glinka | |
| 14 | –No Artist | 1001Hz トーンバースト波 EIA 0dB |
| 15 | –Beethoven | |
| 16 | –Mahler | |
| 17 | –Johann Strauss & Josef Strauss | |
| 18 | –Bruckner | Prélude À L'après-Midi D'un Faune, Bars 1 - 3 |
| 19 | –No Artist | Lch 800Hz,1KHz,1.25KHz -20dB/Rch 1KHz -16dB |
| 20 | Overture - Le Nozze Di Figaro, Bars 1 - 18 | |
| 21 | –No Artist | Lch 25Hz,31.5Hz,40Hz -20dB/Rch 31.5Hz -16dB |
| 22 | Overture - Le Nozze Di Figaro, Bars 1 - 50 | |
| 23 | 1st Movement, Symphony No.4, Bars 386 - 407 | |
| 24 | –No Artist | 1KHz,5Hz~22.05KHz スイープ -20dB |
| 25 | –Brahms | |
| 26 | –No Artist | Lch 200Hz,250Hz,315Hz -20dB/Rch 250Hz -16dB |
| 27 | –No Artist | Lch 50Hz,63Hz,80Hz -20dB/Rch 63Hz -16dB |
| 28 | –No Artist | インパルス(1サンプル)100ms±20%(ランダム)周期 256回 0dB |
| 29 | –Bizet | |
| 30 | –No Artist | Lch 100Hz,125Hz,160Hz -20dB/Rch 125Hz -16dB |
| 31 | Instrumental Combinations And Score-Reading | 4:50 |
| 32 | 1st Movement, Symphony No.4 in E-flat Major, Bars 560 - 573 | |
| 33 | –No Artist | 1001Hz 正弦波 -15dB |
| 34 | –Mendelssohn | |
| 35 | –No Artist | ホワイトノイズ M系列一様分布ノイズ |
| 36 | Test Signals For Measurement Of Room Acoustics | 9:02 |
| 37 | –No Artist | ピンクノイズ -14dB |
| 38 | –Mozart | |
| 39 | –Handel, Harty | |
| 40 | –No Artist | Lch 6.3KHz,8KHz,10KHz -20dB/Rch 8KHz -16dB |
| 41 | 1st Movement, Symphony No.4 in E-flat | |
| 42 | –No Artist | Lch 1.6KHz,2KHz,2.5KHz -20dB/Rch 2KHz -16dB |
| 43 | –No Artist | 1001Hz トーンバースト波 EIAJ 0dB |
| 44 | Samples Of Sound With Simulated Reverberation | 3:25 |
| 45 | –No Artist | Lch 3.15KHz,4KHz,5KHz -20dB/Rch 4KHz -16dB |
| 46 |
Recorded at Minoo Civic Hall, Osaka, 28 July 1987.
Total time 58:43
Includes 40-page booklet in English, German and French with pictures and diagrams on the special anechoic recording process.
Pure Gold collection, evaporated 24K Gold.
℗ 1988 Nippon Columbia Co., Ltd.
Made in Japan.