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Peech Boys - Don't Make Me Wait FLAC

Performer: Peech Boys
Title: Don't Make Me Wait
Genre: Electronic / Funk
Cat #: TMTT 7001
Label: TMT Records
Country: UK
Date of release: 1982
Style: Boogie
FLAC size 1154 mb
MP3 size: 1178 mb
Record From Vinyl, 12", 45 RPM, Single

Peech Boys Tmt Records Boogie 1982

Tracklist

1	Don't Make Me Wait (Original Mix)	7:10
2	Don't Make Me Wait (Special Version)	10:42
3	Don't Make Me Wait (Alternative Mix)	5:40
4	Don't Make Me Wait (Acapella)

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
WES-22140	Peech Boys	Don't Make Me Wait ‎(12", Single)	West End Records, Garage Records	WES-22140	US	1982
PD 2078	Peech Boys	Don't Make Me Wait ‎(7")	Gallo	PD 2078	Zimbabwe	1982
WES-22140	Peech Boys	Don't Make Me Wait ‎(12", RE, RM)	West End Records	WES-22140	UK	2018
WES-DJ-22140	Peech Boys	Don't Make Me Wait ‎(12", Promo)	West End Records	WES-DJ-22140	US	1982
WES-DJ-22140	Peech Boys	Don't Make Me Wait ‎(12", Single, TP)	West End Records	WES-DJ-22140	US	1982

Credits

Lacquer Cut By – timtom
Producer – Levan, de Benedictus
Written-By – R. Bernard Fowler, Peech Boys

Notes

A Division of the Garage Group Ltd.

A West End Records U.S.A. Recording

Features "Special Version" not released in the U.S.

Track B3 is unlisted and is an extended "outro" of B2; total timing is 10:40.

Barcodes

Matrix / Runout (Label side A): TMTT 7001A
Matrix / Runout (Label side B): TMTT 7001B
Matrix / Runout (Runout side A, etched): TMTT 7001-A1 DAMONT timtom-cbs
Matrix / Runout (Runout side B, etched): TMTT 7001-B1 DAMONT TY-cbs

Companies

Phonographic Copyright (p) – West End Records
Published By – Peech Boys Music
Published By – Dez Bee Music
Produced For – Citi Peech Productions
Distributed By – IDS
Lacquer Cut At – CBS Studios, London
Pressed By – Damont

Video

Comments: (7)

MisTereO

On top of that, the B-side on my copy is totally off-centered, making it sound horrible. Possibly has affected other copies.

fightnight

DO NOT WASTE YOUR MONEY ON THIS 12" - IT DOES NOT HAVE THE FULL LENGTH ORIGINAL EXTENDED VERSION AND THEY CHOPPED-OFF THE FIRST LINE OF THE ACAPPELLA.The TMT label is a legitimate and quality UK label that has issued several great pressings of club titles like Haven't Been Funked Enough by the Ex-Tras and Heobah by Fonda Rae. The exact chain of events that lead to them pressing Don't Make Me Wait is unclear.What is clear, is that the TMT release of Don't Make Me Wait was a totally amateurish or incompetent (take your pick) transfer of the recordings that 1) cut off most of the intro and all of the spacey outro of the original extended version on Side A and 2) cut off the distinctive first line of the acappella on Side B.

Very Old Chap

The B-Side mix was done by Paul Oakenfold.Really not a favourite. I own this 12“ but just for the sake of it. And already ordered the original US 12“ and the dutch 12“ on Sound.Just because I am an addict of this song which appears in my personal top three of my life.

uite big around London in the early-mid 80s.

FireWater

Yes aside from those mentioned TMt released some good stuff from the Rah Band - all q

Zeks Horde

Highly over-rated pirate pressing. These two alternative versions were released as white-label bootlegs BEFORE this, making this a pirate of a pirate. The "alternative" mixes are comprised of amateurish (IMO) extra production ADDED TO/on-top-of the original Larry Levan/Michael DeBenedictus production. Save your money and get one of the legit pressings on U.S. West End, U.S. 4th & B'Way, or any of the legit, licensed European pressings from the 80's.

Dagdage

downtown.music Highly over-rated pirate pressing. These two alternative versions were released as white-label bootlegs BEFORE this, making this a pirate of a pirate. The "alternative" mixes are comprised of amateurish (IMO) extra production ADDED TO/on-top-of the original Larry Levan/Michael DeBenedictus production. Save your money and get one of the legit pressings on U.S. West End, U.S. 4th & B'Way, or any of the legit, licensed European pressings from the 80's. Yeah, because a young Paul Oakenfold did this. And I never thought of him as a quality remixer. Definitely not my musical taste. Just my 2 cents...

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