veganethik » Funk » Phyllis Hyman - Somewhere In My Lifetime

Phyllis Hyman - Somewhere In My Lifetime FLAC

Performer: Phyllis Hyman
Title: Somewhere In My Lifetime
Genre: Funk
Cat #: SMCR 5092
Label: SoulMusic Records
Country: UK
Date of release: 22 Apr 2013
Style: Soul, Disco
FLAC size 2190 mb
MP3 size: 2899 mb
Record From CD, Album, Reissue, Remastered, Expanded Edition

Phyllis Hyman Soulmusic Records Soul Disco 2013

Tracklist

1	Love Is Free Written-By – Mark Radice	3:47
2	Gonna Make Changes Written-By – Phyllis Hyman	3:59
3	Here's That Rainy Day Written-By – Johnny Burke-James Van Heusen	3:05
4	Bonus Tracks
5	Somewhere In My Lifetime Written-By – Jesus Alvarez	3:29
6	Soon Come Again Written-By – Larry Alexander, Sandy Torano	3:34
7	Kiss You All Over Written-By – Mike Chapman, Nicky Chinn	5:11
8	Lookin' For A Lovin Written-By – Barry Goldberg, Phyllis Brown	2:56
9	Sweet Music Written-By – A. Martinez	3:50
10	So Strange Written-By – Bill Green, T. Life	4:42
11	The Answer Is You Written-By – Mark Radice	5:09
12	Kiss You All Over (Arista US 12" Single) Written-By – Mike Chapman, Nicky Chinn	6:18
13	Sing A Song Written-By – Ernest Straughter, Philip Bailey	3:38
14	Be Careful (How You Treat My Love) Written-By – Gary Glenn	4:18
15	So Strange (Arista US 12" Single) Written-By – Bill Green, T. Life	9:02
16	Living Inside Your Love Written-By – R. Taylor, S. Scarborough	6:16

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
AB 4202	Phyllis Hyman	Somewhere In My Lifetime ‎(LP, Album, San)	Arista	AB 4202	US	1978
AB 4202	Phyllis Hyman	Somewhere In My Lifetime ‎(LP, Album, TP)	Arista	AB 4202	US	1978
66748-78032-2, A761660	Phyllis Hyman	Somewhere In My Lifetime ‎(CD, Album, RM, Exp)	Reel Music, Arista	66748-78032-2, A761660	US	2010
AB 4202	Phyllis Hyman	Somewhere In My Lifetime ‎(LP, Album)	Arista	AB 4202	US	1978
TD-2108	Phyllis Hyman	Somewhere In My Lifetime ‎(LP, Album, Unofficial)	Union	TD-2108	Taiwan	Unknown

Credits

Arranged By – Monty Alexander (tracks: 10), Skip Scarborough (tracks: 6)
Arranged By [Rhythm Track] – Barry Manilow (tracks: 2), Larry Alexander (tracks: 9), Skip Scarborough (tracks: 8, 9)
Arranged By [Strings & Horns] – David Crawford (tracks: 8, 9), Dick Berkhe (tracks: 2)
Art Direction – Donn Davenport
Artwork, Design [Reissue] – Roger Williams
Backing Vocals – Al Martinez (tracks: 4, 6 to 9), Diva Grey (tracks: 1), Gordon Grody (tracks: 2), Josh Shaw (tracks: 1), Larry Alexander (tracks: 5), Phyllis Hyman, Sam Peake (tracks: 5), Sybil Thomas (tracks: 4, 6 to 8), Sylvia Pichler (tracks: 9), T. Life (tracks: 5)
Bass – Bob Babbitt (tracks: 2), Robert Russell (tracks: 4, 6 to 8), Will Lee (tracks: 1, 3, 5)
Drums – Leo Adamian (tracks: 1, 3, 5), Nathaniel Neblett (tracks: 4, 6 to 9), Ron Zito (tracks: 2)
Engineer – Don Cody, Michael Delugg, Rick Rowe, William Wittman
Engineer [Assistant] – Darrol Gustamachio
Guitar – John Rowin (tracks: 4, 6 to 9), Louis Russell (tracks: 4, 6 to 9), Sid McGinnis (tracks: 2), Steve Love (tracks: 1, 3), T. Life (tracks: 1, 3, 5)
Liner Notes – A. Scott Galloway
Mastered By – George Marino (tracks: 2), Jack Skinner (tracks: 1, 3 to 10)
Other [Make Up] – Jeri Haywood
Other [Styling] – Hui Wang, Nora Lee
Other [Wardrobe By] – Marian Williams
Percussion – Bill Summers (tracks: 4, 6), Jimmy Maeulin (tracks: 2)
Photography By – Ron Harris
Piano – Barry Manilow (tracks: 2), Ernest Straughter (tracks: 6 to 9), Herbie Hancock (tracks: 1), Michael Stanton (tracks: 7 to 9), Onaje Allen Gumbs (tracks: 4), Paul Shaffner (tracks: 2), Steve Robbins (tracks: 1, 3, 5)
Piano [Acoustic] – Monty Alexander (tracks: 10)
Producer – Barry Manilow (tracks: 2), Larry Alexander (tracks: 4, 6 to 10, 13 to 15), Ron Dante (tracks: 2), Skip Scarborough (tracks: 4, 6 to 10, 13 to 15), T. Life (tracks: 1, 3, 5, 11, 12)
Reissue Producer – David Nathan
Remastered By – Alan Wilson
Soloist, Alto Saxophone – Azar Lawrence (tracks: 9)
Synthesizer – Steve Robbins (tracks: 8)

Notes

Originally released on Arista, 1978.

Executive Producer: Command Performances, Inc.
Herbie Hancock appears Courtesy of Columbia Records
T.Life appears Courtesy of RCA Records
Bill Summers appears Courtesy of Prestige Records
Monty Alexander appears Courtesy of Pablo Records

Recorded at
- CBS Studios, San Francisco
- Media Sound Studios, New York
- Secret Sound, New York
- Soundmixers Studios, New York
Mastered at Sterling Sound

Barcodes

Barcode: 5 013929 079236
Matrix / Runout: CA SMCR5092 @@
Rights Society: MCPS
Mastering SID Code: IFPI LY88
Mould SID Code: IFPI 1258

Companies

Phonographic Copyright (p) – Sony Music Entertainment
Copyright (c) – SoulMusic Records
Licensed From – Sony Music Entertainment UK Limited
Recorded At – CBS Studios, San Francisco
Recorded At – Mediasound
Recorded At – Secret Sound
Recorded At – Sound Mixers
Mastered At – Sterling Sound
Remastered At – Western Star
Published By – Alexscar Music
Published By – Bucks Music Group
Published By – Campbell Connelly & Co. Ltd.
Published By – Command Performance Music Co.
Published By – Conexion Music Ltd.
Published By – Finchley Music Publishing Ltd.
Published By – Golden Folio Music Inc.
Published By – The International Music Network Ltd.
Published By – Kobalt Music Publishing Ltd.
Published By – Missing Link Music
Published By – Universal Music Publishing MGB Ltd.
Published By – Universal Music Publishing Ltd.
Published By – Warner/Chappell Music Ltd.

Comments: (3)

Velellan

Well considering you deleted your original rant (after i answered below). Why don't you buy the CD and listen for yourself.

komandante

the question is simple. Is the remaster good or not?

Velan

To answer your question why (vintage) cd's with less tracks appear to be more expensive than later reissues with more tracks. The price differential has little to do with how many bonus tracks that can be squeezed onto the cd, but often the quality of the package. I consider this and a majority of recent reissues, as low budget digital (because they sound no different to those horrible mp3's) reissues, sourced from vinyl or 'remastered' from other compact discs recordings and not as often claimed, from original masters. I can't see a copyright holder authorising the use of fragile original master tapes, to reissue companies at the rate reissues (often of same albums) are appearing nowadays, they instead will send a cd or email a digital file of the recording. I have personally seen a few correctly licensed reissues, where the reissue label has sourced the audio from vintage cd's purchased from me (often vintage Japanese reissues). In addition to this 'expanded' packages with bonus 12" or promo unreleased songs are often sourced from vinyl. Licensing songs from copyright holders just give you permission to use a recording, it doesn't give you access to the masters. You pay big money for that.... Whilst the extra tracks can be a welcome bonus (unless they are pointless 7" edits as the trend has been recently), they are just sweeteners to get people who already own better quality earlier reissues to part with more money. It's pretty much a scam if you ask me. However you can't really go wrong with Rhino, Wounded Bird or Reel Music reisues especially during the 00's although nowadays they are very quiet. I don't really buy european reissue's nowadays (those reissue labels tend to be the worst offenders for poor quality reissues) unless it's released directly by the record company who holds the sound copyright & masters.

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