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Prodigy - The Fat Of The Land FLAC

Prodigy - The Fat Of The Land FLAC
  • Performer: Prodigy
  • Title: The Fat Of The Land
  • Genre: Electronic / Hip-Hop & Rap
  • Cat #: 9 46606-2
  • Label: Maverick, Warner Bros. Records
  • Country: US
  • Date of release: 01 Jul 1997
  • Style: Big Beat
  • FLAC size 2312 mb
  • MP3 size: 1325 mb
  • Record From CD, Album
Prodigy Maverick Warner Bros Records Big Beat 1997

Download FLAC Download MP3

Tracklist

1Fuel My Fire
Guitar – Jim DaviesVocals – Keith FlintVocals [Additional] – SaffronWritten-By – Walsh, D.J. Sparks, James, Knight
4:18
2Diesel Power
Vocals – Kool KeithWritten-By – K. Thornton, L. Howlett
4:17
3Climbatize
Written-By – L. Howlett
6:36
4Smack My Bitch Up
Vocals [Additional] – Shahin BadaWritten-By – C. Miller, K. Thornton, L. Howlett, M. Smith, T. Randolph
5:42
5Firestarter
Guitar – Jim DaviesVocals – Keith FlintWritten-By – A. Dudley, G. Langan, J. Jeczalik, K. Flint, K. Deal, L. Howlett, P. Morley, T. Horn
4:40
6Mindfields
Vocals – MaximWritten-By – L. Howlett
5:40
7Narayan
Vocals – Crispian MillsWritten-By – C. Mills, L. Howlett
9:05
8Serial Thrilla
Vocals – Keith FlintWritten-By – K. Flint, Arran, L. Howlett, Skin
5:11
9Funky Shit
Written-By – L. Howlett
5:16
10Breathe
Guitar – Jim DaviesVocals, Written-By – Keith Flint, MaximWritten-By – L. Howlett
5:35

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
XLLP 121Prodigy The Fat Of The Land ‎(2xLP, Album)XL RecordingsXLLP 121UK1997
UDP-C 77211Prodigy The Fat Of The Land ‎(Cass, Album)UDPUDP-C 77211Italy1997
noneProdigy The Fat Of The Land ‎(Cass, Album, Unofficial)Not On Label (The Prodigy)noneUnknown
VR-0084Prodigy The Fat Of The Land ‎(Cass, Album, Unofficial)Not On Label (The Prodigy)VR-0084Unknown
6062-2Prodigy The Fat Of The Land ‎(CD, Album)Sum Records , Paradoxx Music6062-2Mexico1997

Credits

  • Art Direction, Design, Photography By [Truck & Background] – Alex Jenkins
  • Guitar [Live Gitarrz] – Gizz Butt
  • Illustration [Band Illustration] – Jake
  • Photography By [Ants] – FLPA-Images Of Nature, Terry Whittaker
  • Photography By [Front Cover] – FLPA-Images Of Nature, Konrad Wothe, Silvestris
  • Photography By [Inside Traycard] – Lou Smith
  • Photography By [Live Shots] – Alex Scaglia, Christian Ammann
  • Photography By [Live Shots], Photography By [Band, Train & Equipment] – Pat Pope
  • Producer, Mixed By, Art Direction – Liam Howlett
  • Recorded By [Vocals] – Neil McLellan (tracks: 1, 2, 7, 8)
  • Artwork By [Art Direction] – Alex Jenkins, Liam Howlett
  • Artwork By [Design] – Alex Jenkins
  • Photography [Ant] – Terry Whittaker
  • Photography [Band, Train And Equipment] – Pat Pope
  • Photography [Front Cover] – Konrad Wothe, Silvestris
  • Photography [Inside Traycard] – Lous Smith
  • Photography [Live Shots] – Alex Scaglia, Christian Ammann, Pat Pope
  • Photography [Truck And Background] – Alex Jenkins
  • Producer, Mixed By – L. Howlett
  • Recorded By [Vocals] – Neil McLellan (tracks: 1, 2, 7, 8)
  • Art Direction – Alex Jenkins, Liam Howlett
  • Design – Alex Jenkins
  • Illustration [Band] – Jake
  • Lacquer Cut By – HL
  • Management [For Midi Management] – Mike Champion
  • Mastered By – Mike's
  • Photography By [Ant] – Terry Whittaker
  • Photography By [Band And Train] – Pat Pope
  • Photography By [Front Cover - Silvestris/Courtesy Of FLPA-Images Of Nature] – Konrad Wothe
  • Photography By [Inner Bag Band Shot] – Lou Smith
  • Photography By [Live Shots] – Alex Scaglia, Christian Ammann, Pat Pope
  • Photography By [Truck And Background] – Alex Jenkins
  • Producer, Mixed By – L. Howlett
  • Art Direction – Alex Jenkins, Liam Howlett
  • Design – Alex Jenkins
  • Illustration [Band] – Jake
  • Management [For Midi Management] – Mike Champion
  • Mastered By – Mike's
  • Photography By [Ant] – Terry Whittaker
  • Photography By [Band And Train] – Pat Pope
  • Photography By [Front Cover - Silvestris/Courtesy Of FLPA-Images Of Nature] – Konrad Wothe
  • Photography By [Inner Bag Band Shot] – Lou Smith
  • Photography By [Live Shots] – Alex Scaglia, Christian Ammann, Pat Pope
  • Photography By [Truck And Background] – Alex Jenkins
  • Producer, Mixed By – L. Howlett
  • Art Direction – Alex Jenkins, Liam Howlett
  • Design – Alex Jenkins
  • Illustration [Band] – Jake
  • Management [For Midi Management] – Mike Champion
  • Mastered By – Mike's
  • Photography By [Ant] – Terry Whittaker
  • Photography By [Band And Train] – Pat Pope
  • Photography By [Front Cover - Silvestris/Courtesy Of FLPA-Images Of Nature] – Konrad Wothe
  • Photography By [Inner Bag Band Shot] – Lou Smith
  • Photography By [Live Shots] – Alex Scaglia, Christian Ammann, Pat Pope
  • Photography By [Truck And Background] – Alex Jenkins
  • Producer, Mixed By – L. Howlett

Notes

© 1997 Maverick Recording Company, under license from Mute Corporation and XL-Recordings Ltd. ℗ 1996, 1997 Maverick Recording Company, under license from Mute Corporation and XL-Recordings Ltd.

Produced and mixed at Earthbound.
Vocals recorded at Strongroom.

Crispian Mills appears courtesy of Columbia Records Limited.
Saffron appears courtesy of Deconstruction / BMG Entertainment International UK and Ireland Ltd.

• Track 1 contains portions of "Give The Drummer Some" by Ultramagnetic M.C.'s from their album entitled "Critical Breakdown."
• Track 4 excerpts from "Root Down" used under license of Capitol Records.
• Sample from "2-3 Break" by the Beastie Boys used courtesy of Vintertainment.
• Sample from "Theme From S.W.A.T." used courtesy of MCA Records, Inc.
• Track 5 "Selling Jesus" by Skunk Anansie used courtesy of One Little Indian except USA and Canada courtesy of Sony Music.
• Track 8 features samples from The Breeders Recording "S.O.S." courtesy of Elektra Entertainment Group.
• "Close To The Edit" by Art Of Noise under license from ZTT Records Ltd.
• Track 9 contains portion of "Horn Track" by Egyptian Empire / Tim Taylor courtesy of London Records.
• Track 10 is a cover of an L7 song that was written by Donita Sparks in collaboration with Cosmic Psychos.

Packaging: Warner branded jewel case
Total Playing Time: 56 mins, 25 sec
Made in U.S.A.

Comes with a questionary postcard.

Also released as a promo.Includes printed Inner-sleeves.

This Album: ℗ XL Recordings Ltd 1997 © XL Recordings Ltd 1997.
Printed in EU.This release of 'The Fat Of The Land' comes without the standard booklet.
The only place where there's anything about the record label is on the backside of the discs inner ring, this is where the serial number is found.A1 published by EMI Virgin Music Ltd/Next Plateau Music Inc/Beats G Music. ℗ 1997 XL Recordings Ltd.
A2 published by EMI Virgin Music Ltd/EMI Music Ltd/MCA Music. ℗ 1996 XL Recordings Ltd.
B1 published by EMI Virgin Music Ltd/Momentum Music Ltd. ℗ 1997 XL Recordings Ltd.
B2 published by EMI Virgin Music Ltd/Polygram Music. ℗ 1997 XL Recordings Ltd.
C1 published by EMI Virgin Music Ltd/MCA Music/Chrysalis Music Publishing. ℗ 1997 XL Recordings Ltd.
C2 published by EMI Virgin Music Ltd. ℗ 1997 XL Recordings Ltd.
C3 published by EMI Virgin Music Ltd/Hit And Run Publishing Ltd. Crispian Mills appears courtesy of of Columbia Records Ltd. ℗ 1997 XL Recordings Ltd.
D1 published by EMI Virgin Music Ltd/MCA Music/Perfect Songs/Zomba Music. ℗ 1996 XL Recordings Ltd.
D2 published by EMI Virgin Music Ltd. ℗ 1997 XL Recordings Ltd.
D3 published in the USA: By Drop Trou Tunes. Administered by Zomba Songs Inc. (BMI)/Shock Music Publishing Australia. Rest of the world: By Zomba Music Publishers Ltd/Shock Music Publishing Australia. ℗ 1997 XL Recordings Ltd. Saffron appears courtesy of Deconstruction/BMG Entertainment International UK and Ireland Ltd.

Produced & mixed at Earthbound.
Vocals on A1, A2, C3 and D1 recorded at Strongroom.

A1 contains portions of "Give The Drummer Some" by Ultramagnetic M.C.'s from their album entitled "Critical Beatdown" used courtesy of Next Plateau Records.
B2 excerpts from "Root Down" used under license from Capitol Records. A division of Capitol Records Inc. Sample from "2-3 Break" by The B-Boys used courtesy of Vintertainment. Published by Vintertainment Enterprises (ASCAP). Sample from "Theme From S.W.A.T." by Barry Derorzan, used courtesy of MCA Records, Inc. under license from Universal Music Special Markets Inc.. Published by EMI Gold Horizon Music.
C1 "Selling Jesus" by Skunk Anansie used courtesy of One Little Indian except USA courtesy of Sony Music Inc.
D1 sample of Breeders "SOS" courtesy of 4AD/Elektra (by arrangement with Warner Special Products). "Close To The Edit" by Art Of Noise under licence from ZTT Records Ltd.
D2 contains portion of "Horn Track" by Egyptian Empire/Tim Taylor courtesy of London Records and published by Northcott Music administered by International Music Network.

This Album: ℗ XL Recordings Ltd 1997 © XL Recordings Ltd 1997.
Made in England.

"Fuel My Fire" originally performed by L7.

Barcodes

  • Barcode (Text): 6 34904 01211 3
  • Barcode (String): 634904012113
  • Matrix / Runout (Side A): XLLP 121 A¹ DAMONT I Y MIKE'S - THE EXCHANGE
  • Matrix / Runout (Side B): XLLP 121 B¹ DAMONT MIKE'S - THE EXCHANGE P
  • Matrix / Runout (Side C): XLLP 121 C¹ MIKE'S - THE EXCHANGE - DAMONT Q
  • Matrix / Runout (Side D): XLLP 121 D¹ I DAMONT MIKE'S - THE EXCHANGE R
  • Barcode (Text): 5 28913 - 5220 - 6 2
  • Barcode (String): 528913522062
  • Matrix / Runout: CDNSK 0111
  • Barcode: 7 24385 07081 5
  • Label Code: LC 11177
  • Rights Society: BEL/BIEM
  • Matrix / Runout (Side A, stamped): B 042416-01 HL
  • Matrix / Runout (Side B, stamped): B042416-01 B1 HL
  • Matrix / Runout (Side C, stamped): B042416-01 C2 HL
  • Matrix / Runout (Side D, stamped): B042416-02 D1 HL
  • Other (Category on labels, Record 1): 8507091
  • Other (Category on labels, Record 2): 8507101
  • Barcode (Text): 0 9362-46606-2 0
  • Barcode (String): 093624660620
  • Matrix / Runout (Variant 1): wea mfg. OLYPHANT X2561 1 46606-2 01
  • Matrix / Runout (Variant 2): wea mfg. OLYPHANT X2561 1 46606-2 01 M3S8
  • Matrix / Runout (Variant 3): wea mfg. OLYPHANT X2561 1 46606-2 01 M2S4
  • Matrix / Runout (Variant 4): wea mfg. OLYPHANT X2561 1 46606-2 01 M3S7
  • Matrix / Runout (Variant 5): wea mfg. OLYPHANT X2562 1 46606-2 02 M1S4
  • Matrix / Runout (Variant 6): wea mfg. OLYPHANT X2561 1 46606-2 01 M3S1
  • Matrix / Runout (Variant 7): wea mfg. OLYPHANT X2562 1 46606-2 02 M2S1
  • Matrix / Runout (Variant 8): wea mfg. OLYPHANT X2562 1 46606-2 02 M2S8
  • Matrix / Runout (Variant 9): wea mfg. OLYPHANT X2561 1 46606-2 01 M3S6
  • Mastering SID Code (Variants 1 to 9): IFPI L902
  • Mould SID Code (Variant 1): IFPI 2U2I
  • Mould SID Code (Variant 2): IFPI 2U2P
  • Mould SID Code (Variant 4): IFPI 2U3Z
  • Mould SID Code (Variant 5): IFPI 2U2Z
  • Mould SID Code (Variant 6): IFPI 2U4F
  • Mould SID Code (Variant 8): IFPI 2U2W
  • Mould SID Code (Variant 9): IFPI 2U2L

Companies

  • Record Company – NSK – CDNSK 0111
  • Published By – Virgin Music Ltd.
  • Published By – Next Plateau Music Inc.
  • Published By – Beats G Music
  • Published By – EMI Music Ltd.
  • Published By – MCA Music
  • Published By – Momentum Music Ltd.
  • Published By – PolyGram Music
  • Published By – Chrysalis Music Publishing
  • Published By – Hit & Run Music (Publishing) Ltd.
  • Published By – Zomba Music
  • Published By – Drop Trou Tunes
  • Published By – Shock Music Publishing Pty. Ltd.
  • Published By – Zomba Music Publishers Ltd.
  • Produced At – Earthbound Studios
  • Mixed At – Earthbound Studios
  • Recorded At – Strongroom
  • Phonographic Copyright (p) – XL Recordings Ltd.
  • Copyright (c) – XL Recordings Ltd.
  • Mastered At – The Exchange
  • Pressed By – Damont
  • Published By – Virgin Music Ltd.
  • Published By – Next Plateau Music Inc.
  • Published By – Beats G Music
  • Published By – EMI Music Ltd.
  • Published By – MCA Music
  • Published By – Momentum Music Ltd.
  • Published By – PolyGram Music
  • Published By – Chrysalis Music Publishing
  • Published By – Hit & Run Music (Publishing) Ltd.
  • Published By – Zomba Music
  • Published By – Drop Trou Tunes
  • Published By – Shock Music Publishing Pty. Ltd.
  • Published By – Zomba Music Publishers Ltd.
  • Produced At – Earthbound Studios
  • Mixed At – Earthbound Studios
  • Recorded At – Strongroom
  • Phonographic Copyright (p) – XL Recordings Ltd.
  • Copyright (c) – XL Recordings Ltd.
  • Mastered At – The Exchange
  • Pressed By – Damont Audio
  • Copyright (c) – XL Recordings Ltd.
  • Phonographic Copyright (p) – XL Recordings Ltd.
  • Licensed To – Virgin Schallplatten GmbH
  • Published By – Virgin Music Ltd.
  • Lacquer Cut At – Optimal Media Production
  • Pressed By – Optimal Media Production – B042416
  • Phonographic Copyright (p) – XL Recordings Ltd.
  • Copyright (c) – Maverick Recording Company
  • Licensed From – Mute Corporation
  • Licensed From – XL Recordings Ltd.
  • Licensed To – Mute Corporation
  • Licensed To – Maverick Recording Company
  • Marketed By – Warner Bros. Records Inc.
  • Manufactured By – WEA Manufacturing
  • Pressed By – WEA Mfg. Olyphant – X2561
  • Pressed By – WEA Mfg. Olyphant – X2562

Video

Comments: (13)
Memuro
1997. A year that put techno music on the map and solidified it as "a thing" for years to come.This album is absolutely everything you'd want AND more from a punk influenced hardcore techno album that pulls no punches. This album is 20 years old now but it FAR surpasses what's passed off as Techno these days. Smack My Bitch Up just pumps you up with adrenaline and is good for working out or a party. Climbatize is the most experimental, trippy, wierd sounding song I've ever heard the Prodigy release but it's one of my favorite tracks on this album for that very reason. And of course, Firestarter, which is the standout track that perhaps made this album the most famous.Breathe and Narayan are also standout tracks on this one.The sad thing about this album is that it marked the downfall of the Prodigy music wise after the 90's came to an end. Their 2004 effort was mediocre at best and had nowhere near the punch that Jilted Generation and this release did. They really fell off track after this record.Needless to say, if you consider yourself a fan of electronic music or Hardcore Techno and DON'T have this record in your collection, then you aren't a true fan.
hardcore techno? what the fuck smoke you?ha ha ha ha
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