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Rachel Sweet - ...And Then He Kissed Me FLAC

Performer: Rachel Sweet
Title: ...And Then He Kissed Me
Genre: Rock
Cat #: ARC 37077
Label: Columbia
Country: US
Date of release: 1981
Style: Pop Rock
FLAC size 2409 mb
MP3 size: 2316 mb
Record From Vinyl, LP, Album, Santa Maria Pressing

Rachel Sweet Columbia Pop Rock 1981

Tracklist

1	Little Darlin' Remix – Rick Chertoff, William WittmanWritten-By – Amanda Blue, Holly Knight	3:52
2	Then He Kissed Me / Be My Baby Written-By – Phil Spector, Ellie Greenwich, Jeff Barry	4:34
3	Streetheart Written-By – Rachel Sweet	3:51
4	Party Girl Arranged By – David Wolfert, Pete Solley, Rick ChertoffWritten-By – Rachel Sweet	4:23
5	Shadows Of The Night Lyrics By [Additional Lyrics By] – Rachel SweetWords By, Music By – D.L. Byron	3:59
6	Billy And The Gun Written-By – Rachel Sweet	4:19
7	Fool's Story Written-By – Rachel Sweet	5:02
8	Two Hearts Full Of Love Written-By – Eddie Schwartz	3:08
9	Everlasting Love Arranged By [String Arrangement] – Bert deCoteauxFeaturing [With] – Rex SmithWritten-By – Buzz Cason, Mac Gayden	3:44

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
CBS 85006	Rachel Sweet	...And Then He Kissed Me ‎(LP, Album)	CBS	CBS 85006	Europe	1981
ARC 37077	Rachel Sweet	...And Then He Kissed Me ‎(LP, Album)	Columbia	ARC 37077	US	1981
FC 37077	Rachel Sweet	...And Then He Kissed Me ‎(LP, Album)	Columbia	FC 37077	Canada	1981
ACT 37077	Rachel Sweet	...And Then He Kissed Me ‎(Cass, Album)	Columbia	ACT 37077	US	1981
CBS 85006	Rachel Sweet	...And Then He Kissed Me ‎(LP, Album)	CBS	CBS 85006	UK	1981

Credits

Arranged By [Rhythm Arrangements] – David Wolfert, Rick Chertoff (tracks: A1, A2, A4, B1, B4)
Backing Vocals – Betty Wright, Hilda Harris, Jeanette Williams, Maeretha Stewart, Margaret Reynolds, Ullanda McCullough
Bass – Mike Joyce , Neil Jason
Design – John Berg
Drums – Al Wotton, Richard Crooks
Engineer – Steve Brown (tracks: A3, B2, B3, B5)
Engineer [Assistant] – Eric Korte (tracks: A1, A2, A4, B1, B4), Kevin Ryan (tracks: A3, B2, B3, B5), Steve Marcantonio (tracks: A1, A2, A4, B1, B4)
Engineer, Co-producer [Assistant Producer] – William Wittman
Guitar – Al Trudell, David Spinozza, Eric Bazilian, John Hardy , Rick DiFonzo
Keyboards – Paul Hollowell, Ralph Schuckett
Mastered By – George Marino
Photography By – Lynn Goldsmith
Producer – Pete Solley (tracks: A3, B2, B3, B5), Rick Chertoff (tracks: A1, A2, A4, B1, B4)
Saxophone – Greg Scott, Jeff Kirk , Lou Marini
Synthesizer – Ed Walsh

Notes

Columbia Records Pressing Plant, Santa Maria pressing. Issued with printed inner sleeve with credits / lyrics.

A1, A2, A4, B1, B4 Recorded and Mixed at The Record Plant, New York City
A3, B2, B3, B5 Recorded and Mixed at Criteria Studios, Miami, Fla.

Rights and Publishing details:
A1: Inner Sanctum (BMI)
A2: Trio Music Company, Inc. and Mother Bertha Music Inc. (BMI)
A3 & A4: Sweet Rebel Music (ASCAP)
B1: ATV Music Publishing of Canada, Ltd., and Mussel Schwartz Music. All rights for the U.S.A. controlled by ATV Music Corp. and Schwartzcake Music (BMI)
B2: Land Of Dreams Music, Inc. (ASCAP, c/o Arista Music, Inc.(ASCAP) for the U.S. and Canada
B3: Sweet Rebel Music (ASCAP)
B4: Rising Sons Music, Inc. (BMI)
B5: Sweet Rebel Music (ASCAP)

Barcodes

Matrix / Runout (Matrix A, on label): AL 37077
Matrix / Runout (Matrix B, on label): BL 37077
Matrix / Runout (Runout A etched / STERLING stamped): 1S AL-37077-1F TWO #18's STERLING A5
Matrix / Runout (Runout B etched / o, STERLING stamped): 1S BL-37077-1E o CINDY LIVES B4 STERLING
Rights Society (A1, A2, B1, B4): BMI
Rights Society (A3, A4, B2, B3, B5): ASCAP
Barcode (Scanned): 074643707718
Barcode (Printed): 0 7464-37077-1

Companies

Copyright (c) – CBS Inc.
Phonographic Copyright (p) – CBS Inc.
Recorded At – Record Plant, N.Y.C.
Mixed At – Record Plant, N.Y.C.
Recorded At – Criteria Recording Studios
Mixed At – Criteria Recording Studios
Mastered At – Customatrix
Mastered At – Sterling Sound
Produced For – Pete Solley Productions, Inc.
Pressed By – Columbia Records Pressing Plant, Santa Maria
Manufactured By – Columbia Records
Record Company – CBS Inc.
Published By – Inner Sanctum
Published By – Trio Music Co., Inc.
Published By – Mother Bertha Music, Inc.
Published By – Sweet Rebel Music
Published By – ATV Music Publishing Of Canada Ltd.
Published By – Mussel Schwartz Music
Published By – ATV Music Corp.
Published By – Schwartzcake Music
Published By – Land Of Dreams Music Inc.
Published By – Arista Music, Inc.
Published By – Rising Sons Music Inc.

Video

Comments: (1)

Error parents

This should have been Rachel Sweet's breakthrough moment. In fact, it's obvious that that's what Columbia was going for. They liked her so much that they signed her directly to Big Red (Stiff was just a little Euro thing, after all), and brought in the big guns - Rick Chertoff to produce, and a raft of Nashville session cats to make the music. Gone was the indie sensibility that provided so much of the spark for her first two Stiff Lps; gone were The Blockheads and their UK punk sensibilities -- and sadly, gone was the innocence and enthusiasm that had made "Fool Around" such a remarkable debut. The CBS folks had taken Rachel's grit and charisma and sanded, buffed and polished it to a smooth sheen. And they got their Top 40 hit, by pairing her with then-heartthrob Rex Smith on a big-studio cover of "Everlasting Love". There are some bright moments here, mostly when Rachel was allowed to do her own songs (produced by Stiff prexy Pete Solley). Her voice retained the sulky, raspy charm that had endeared her on her previous outings. And even the big productions where Chertoff was obviously going for an E-Street Band feel have their appeal. But the spontanaeity, the DIY appeal of those first two albums had been paved over by the New York machine. She'd have one album left to prove what she could do.

...and this album features Rachel's original version of "Shadows of the Night" a few years before Pat Benatar would re-record it / change a few lyrics and score a huge MTV/radio hit - too bad, since Rachel's own take is just as spirited & soaring - you're right, she should have been bigger! Oh well.

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