veganethik » Classical » Sibelius, Atlanta Symphony Orchestra, Yoel Levi - Symphonies No. 1 & No. 5

Sibelius, Atlanta Symphony Orchestra, Yoel Levi - Symphonies No. 1 & No. 5 FLAC

Performer: Sibelius, Atlanta Symphony Orchestra, Yoel Levi
Title: Symphonies No. 1 & No. 5
Genre: Classical
Cat #: CD-80246
Label: Telarc
Country: Europe
Date of release: 1990
Style: Neo-Romantic
FLAC size 2229 mb
MP3 size: 2262 mb
Record From CD, Album

Europe Telarc Neo Romantic 1990

Tracklist

1	Symphony No. 5 In E-Flat, Op. 82
2	IV. Finale (Quasi Una Fantasia - Andante - Allegro Molto)	12:34
3	I. Andante, Ma Non Troppo - Allegro Energico	11:46
4	Andante Mosso Quasi Allegretto	8:59
5	II. Andante (Ma Non Troppo Lento)	8:58
6	Allegro Molto - Pochettino Largamente	9:05
7	Symphony No. 1 In E Minor, Op. 39
8	Tempo Molto Moderato - Allegro Moderato	12:53
9	III. Scherzo (Allegro)	5:05

Credits

Art Direction – Ray Kirschensteiner
Composed By – Jean Sibelius
Conductor – Yoel Levi
Engineer – Michael Bishop
Graphics [Cover] – Anilda Carrasquillo
Liner Notes – Steven Ledbetter
Liner Notes [French Translation] – Patricia Dussaux
Liner Notes [German Translation] – Gila Fox
Orchestra – Atlanta Symphony Orchestra
Other [ Production Assistance] – Elaine Martone
Other [Editor] – Erica Brenner
Painting [Cover] – Sclknolyk
Producer – Robert Woods

Notes

Recorded live in Symphony Hall, Atlanta, Georgia, December 1-2, 1989 & March 17-18, 1990.
Total timing: 70:05
(p) (c) 1990 Telarc.
Made in Austria.
Printed in U.S.A.
24 pages booklet with liner notes in English, German and French.

Gear in the recording:
Microphones: Sennheiser MKH-20
Digital processor: dbx/CTI 18-bit, 128 oversampling A/D
Console: Neotek custom built wired with Monster cable
Power amplifiers: Threshold Model SA/12e Stasis. Pure Class A.
Cable: Monster M1000, M∑2, Series I Prolink & Series II Prolink bandwidth balanced.
Room acoustic treatment: RPG diffusors & abffusors
Digital editing: Sony DAE 3000

During the recording of the digital masters and the subsequent transfer to disc, the entire audio chain was transformerless. The signal was not passed through any processing device (i.e., compression, limiting or equalization) at any step during production.