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Silverchair - Freak Show FLAC

Performer: Silverchair
Title: Freak Show
Genre: Rock
Cat #: MUR 487103 2, 01-487103-10
Label: Murmur
Country: Europe
Date of release: 1996
Style: Alternative Rock
FLAC size 2439 mb
MP3 size: 1607 mb
Record From CD, Album

Silverchair Europe Murmur Alternative Rock 1996

Tracklist

1	Abuse Me Music By, Lyrics By – Daniel Johns	4:03
2	Learn To Hate Lyrics By – Daniel JohnsMusic By – Ben Gillies	4:19
3	Slave Music By – Ben GilliesMusic By, Lyrics By – Daniel Johns	3:57
4	Pop Song For Us Rejects Music By, Lyrics By – Daniel JohnsViolin – Amanda Brown, Ian Cooper	3:15
5	The Door Music By, Lyrics By – Daniel Johns	3:37
6	Lie To Me Music By, Lyrics By – Daniel Johns	1:22
7	The Closing Lyrics By – Daniel JohnsMixed By – Nick LaunayMusic By – Ben Gillies	3:25
8	No Association Music By – Ben GilliesMusic By, Lyrics By – Daniel Johns	3:56
9	Cemetery Cello, Arranged By [Strings] – Jane ScarpantoniMusic By, Lyrics By – Daniel JohnsViola – Matthew PierceViolin – David Mansfield, Elizabeth Knowles, Lorenza Ponce, Todd Reynolds	4:04
10	Roses Music By – Ben GilliesMusic By, Lyrics By – Daniel Johns	3:34
11	Nobody Came Music By – Ben GilliesMusic By, Lyrics By – Daniel Johns	6:11
12	Petrol & Chlorine Arranged By [Strings] – Daniel DenholmArranged By [Strings], Mixed By – Nick LaunayCello – Margaret LindsayMusic By, Lyrics By – Daniel JohnsSitar – Ruk MaliTambura, Tabla – Pandit Ran Chander SumanViola – Rudi CriviciViolin – Ravi Kultilak	3:59
13	Freak Music By, Lyrics By – Daniel Johns	3:49

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
EK 67905, 67905	Silverchair	Freak Show ‎(CD, Album, Enh)	Epic, Murmur, Epic Records Group	EK 67905, 67905	US	1997
none	Silverchair	Freak Show ‎(Cass, Album, Promo)	Epic	none	Netherlands	1997
MUR 487103 2, 01-487103-10	Silverchair	Freak Show ‎(CD, Album)	Murmur, Murmur	MUR 487103 2, 01-487103-10	Europe	1996
2-487103	Silverchair	Freak Show ‎(CD, Album, RP)	Epic, Murmur	2-487103	Brazil	Unknown
MATTV043	Silverchair	Freak Show ‎(LP, Album, Ltd)	Murmur	MATTV043	Australia	1996

Credits

A&R [& Stuff], Art Direction – John O'Donnell
Art Direction – John Watson , Kevin Wilkins, The Chair
Bass – Chris Joannou
Drums – Ben Gillies
Engineer [Assistant (New York)] – Steve Sisco
Engineer [Assistant (Sydney)] – Mark Thomas, Matt Lovell
Guitar, Vocals – Daniel Johns
Illustration [Cover] – Lydia
Management [& Stuff] – John Watson Management
Mastered By – Bob Ludwig
Mixed By – Andy Wallace (tracks: 1 to 9, 11, 12)
Photography By [Inside Photos By] – Adrienne Overall, Sophie Howarth
Producer, Recorded By – Nick Launay

Notes

This version has CB 791 price code. For version with CB 770 see Freak Show

Made in Austria.

35.5 cmx35.5 cm sheet folded to make 18 pages.

No track durations printed

Barcodes

Barcode (Scanned): 5099748710321
Barcode (Text): 5 099748 710321
Rights Society: [SACEM SDRM SACD SGDL] BIEM
Label Code: LC 3630
Price Code: CB 791
Other (Format Code): CDC
Matrix / Runout (Variant 1): Sony Music S0148710310-0101 13 A6
Mastering SID Code (Variant 1): IFPI L553
Mould SID Code (Variant 1): IFPI 9419
Matrix / Runout (Variant 2): Sony Music S0148710310-0101 13 A4
Mastering SID Code (Variant 2): IFPI L553
Mould SID Code (Variant 2): IFPI 94A4
Matrix / Runout (Variant 3): Sony Music S0148710310-0101 13 A7
Mastering SID Code (Variant 3): IFPI L553
Mould SID Code (Variant 3): IFPI 94Y3
Matrix / Runout (Variant 4): Sony Music S0148710310-0101 13 A2
Mastering SID Code (Variant 4): IFPI L553
Mould SID Code (Variant 4): IFPI 94H4
Matrix / Runout (Variant 5): Sony Music S0148710310-0101 13 A6
Mastering SID Code (Variant 5): IFPI L553
Mould SID Code (Variant 5): IFPI 94C0
Matrix / Runout (Variant 6): Sony Music S0148710310-0101 13 A3
Mastering SID Code (Variant 6): IFPI L553
Mould SID Code (Variant 6): IFPI 94F1

Companies

Distributed By – Sony Music
Phonographic Copyright (p) – Sony Music Productions Pty. Ltd.
Copyright (c) – Sony Music Entertainment (Australia) Limited
Published By – Sony / ATV Music Publishing
Recorded At – Festival Studios
Mixed At – Soundtrack Studios
Mastered At – Gateway Mastering

Video

Comments: (2)

Perongafa

Genuine question: why is this listed as 1996 (like 12 versions of it) when its first version was from late January, 1997 (in the USA) and early February (in Australia)? I even found a newspaper interview where they state "we could have rushed to release it in 1996 but we decided for early 1997" or something like that. Thanks!

Vobei

So this basically has little more than sentimental value for me. When myself (playing bass) and a friend (playing guitar) started a two-man-band in early 2001 we did not much more than covering three songs: System Of A Downs "Spiders" and two songs from this record: "Freak" and "No Association". We were 15, we had not just a rehearsing room, more a rehearsing HOUSE (an abandoned office building which years later housed more than 28 bands) but had no drummer, no car (we were 15 by that time) to drive our gear around but we had those songs and I thought they sounded really good when we played them. Later we got an amazing drummer who was light years ahead of us technically and covered the whole first System of a Down record. But this is where we started. Years later, another friend who then joined the band and me were playing together occasionally and every time one of us was trying to be funny, he goes "Wait, until you hear that song I wrote last night" and played the old Freak-riff. Nerds? Yes!

So about the record. I still think "No Association" is a nice loud-quiet-loud rocker. "The Door" mixes likeable 60s Pop into the whole Teenage Angst cocktail the whole record is obviously made of. The way the melodies build on one another in "Abuse Me" still makes me shake a leg. And "Cemetery" is, well, the ballad of the record. The rest of the songs on Freak Show are the generic, angsty Nirvana-loving stuff you'd expect from Silverchair. On the other hand, weren't they just 15 when they started the band? 17/18 when this album was released? And considering the Zeitgeist, who could hold it against them? This is basically music from teens for teens. It hasn't aged well but it is what it is. And for that, it's good. I wouldn't nescessarily recommend it...I still enjoy playing that "No Association" bassline, though!

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