veganethik » Electronic » The Detroit Escalator Co. - Soundtrack [313]

The Detroit Escalator Co. - Soundtrack [313] FLAC

Performer: The Detroit Escalator Co.
Title: Soundtrack [313]
Genre: Electronic
Cat #: FER-CD2
Label: Ferox Records
Country: UK
Date of release: 09 Dec 1996
Style: Techno, Ambient
FLAC size 2416 mb
MP3 size: 2467 mb
Record From CD, Album

Detroit Escalator Co Ferox Records Techno Ambient 1996

Tracklist

1	Gratiot	4:15
2	Shifting Gears	8:03
3	Force	8:54
4	Gathering Memory	5:48
5	The Inverted Man (Falling)	3:48
6	∆	3:38
7	Tai Chi And Traffic Lights	4:47
8	Abstract Forward Motion (As A Mission)	3:41

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
FER LP 2	The Detroit Escalator Co.	Soundtrack [313] ‎(2xLP, Album, Ltd)	Ferox Records	FER LP 2	UK	1996
XQAW-1010	The Detroit Escalator Co.	Soundtrack [313] ‎(CD, Album, Ltd, RE, Pap)	Spiral Records	XQAW-1010	Japan	2007

Credits

Design – Kelvin Govey
Photography By – Sabrina Sanders
Written-By, Producer – Neil Ollivierra

Barcodes

Barcode (Text): 5 016556 750226 >
Barcode (Scanned): 5016556750226
Matrix / Runout: MASTERED BY NIMBUS C3419 FERCD 002 · 1:0
Mastering SID Code: IFPI L123

Companies

Phonographic Copyright (p) – Ferox Records
Copyright (c) – Ferox Records
Designed At – The Source
Glass Mastered At – Nimbus – C3419

Video

Comments: (2)

Viashal

One of my favourite albums. Really truly stunning and hasn't dated one bit. Beware, however, the replication of tracks from here on Excerpts, the D.E.Co compilation. Five tracks from here are on Excerpts, so only get both if you are a true completist!

Kriau

Some of the warmest, most beautiful techno not done by someone named Carl, Juan or Derrick. The Detroit Escalator Co.’s debut, <I>Soundtrack (313)</I>, on the sorely missed Ferox label, is deeply emotional with a gorgeously electronic sensibility. From the opening strains of “Gratiot” and the reverb chords of “Abstract Forward Motion (As a Mission),” there’s a deepness that transcends genre. Oftentimes, the tracks float by as pure ambient works (such as “The Inverted Man (Falling)”), but when a rhythm does emerge (as on “Shifting Gears”), it’s not the typical kick drum. The drum programming fits the mood of the track, rather than being a catch-all 4/4 beat. Sublime.

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