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Van Morrison - The Philosopher's Stone (The Unreleased Tapes Volume One) FLAC

Van Morrison - The Philosopher's Stone (The Unreleased Tapes Volume One) FLAC
  • Performer: Van Morrison
  • Title: The Philosopher's Stone (The Unreleased Tapes Volume One)
  • Genre: Rock / Folk & World
  • Cat #: 531 789-2
  • Label: Exile, Polydor
  • Country: UK & Europe
  • Date of release: 1998
  • Style: Blues Rock, Folk Rock, Classic Rock
  • FLAC size 2770 mb
  • MP3 size: 2701 mb
  • Record From 2 × CD, Compilation

Tracklist

1Showbusiness
Drums – Peter Van HookeGuitar – Chris MichieKeyboards – Mark Isham
9:21
2Try For Sleep
Drums – Dahaud ShaarElectric Guitar – John PlataniaMusic By – John PlataniaMusic By, Words By – Van MorrisonPiano – Mark JordanTrumpet – Bill Atwood
6:06
3There There Child
Drums – Dahaud ShaarGuitar – John PlataniaMusic By – John PlataniaMusic By, Words By – Van MorrisonPiano – Jeff Labes
3:01
4Stepping Out Queen Part 2
Drums – Peter Van HookeGuitar – Herbie ArmstrongPiano – Mark JordanViolin – Toni Marcus
4:27
5For Mr. Thomas
Drums – Tom DonlingerGuitar – Chris MichieKeyboards – Mark IshamWords By, Music By – Robin Williamson
4:15
6Naked In The Jungle
Drums – Tony DayGuitar – John BlakeyPiano – John Allair
4:37
7Drumshanbo Hustle
Drums – Dahaud ShaarGuitar – John PlataniaPiano – Mark Jordan
4:49
8John Henry
Arranged By – Van MorrisonDrums – Tony DayGuitar – John BlakeyPiano – Smith DobsonWritten-By – Traditional
5:49
9The Street Only Knew Your Name
Backing Vocals – Judy ClayDrums – Tony DayGuitar – John BlakeyPiano – Mark Jordan
6:25
10Flamingoes Fly
Bass Guitar – Jerome RimsonDrums – Peter Van HookePiano – Pete Wingfield
6:29
11Twilight Zone
Bass Guitar – Jerome RimsonDrums – Peter Van HookePiano – Pete Wingfield
8:24
12Contemplation Rose
Drums – Dahaud ShaarPiano – Jeff Labes
5:15
13Song Of Being A Child
Drums – Roy JonesKeyboards – Neil DrinkwaterMusic By – Van MorrisonVocals – June BoyceWords By – Peter Handke
4:09
14Crazy Jane On God
Accompanied By – Moving HeartsBacking Vocals – Annie Stocking, Bianca Thornton, Pauline LozanoMusic By – William MathieuWords By – W.B. Yeats
4:06
15Real Real Gone
Drums – Peter Van HookeFlugelhorn, Trumpet – Mark IshamGuitar – Herbie ArmstrongKeyboards – John AllairLead Guitar – Mick CoxSaxophone – Pee Wee Ellis
3:45
16High Spirits
Accompanied By – The ChieftainsBass Guitar – Clive CulbertsonDrums – Dave EarlyMusic By, Words By – Paddy Moloney, Van Morrison
4:21
17Don't Worry About Tomorrow
Drums – Dahaud ShaarPiano – Jeff Labes
5:21
18Joyous Sound
Backing Vocals – Judy ClayDrums – Tony DayGuitar – John BlakeyPiano – Mark Jordan
2:30
19Laughing In The Wind
Backing Vocals – Jackie DeShannonDrums – Rick ShlosserHorns – Jack Schroer, Jules BroussardLead Guitar – John PlataniaPiano – Jeff Labes
4:11
20Wonderful Remark
Bass Guitar – Bill ChurchDrums – Lee CharltonFlute – "Boots" Rolf HoustonGuitar, Backing Vocals – Ronnie Montrose
8:01
21Lover's Prayer
Drums – Dahaud ShaarPiano – Jeff Labes
3:58
22Foggy Mountain Top
Bass Guitar – Jerome RimsonDrums – Peter Van HookePiano – Pete Wingfield
5:28
23Really Don't Know
Alto Saxophone – Jack SchroerBass Guitar – John KlingbergDrums – Gary MallaberPiano – Jeff LabesTenor Saxophone – Colin Tilton
3:37
24Ordinary People
Bass Guitar – Bill ChurchCo-producer – Ted TemplemanDrums – Connie KayLead Guitar – Ronnie MontrosePiano – Mark Naftalin
5:20
25Western Plain
Drums – Tony DayGuitar – John BlakeyPiano – Smith DobsonWords By, Music By – Ledbetter
5:43
26Madame Joy
Drums – Gary MallaberFlute – Jules BroussardLead Guitar – John PlataniaPiano – Jeff LabesSaxophone – Jack Schroer
4:24
27Street Theory
Drums – Peter Van HookeGuitar – Herbie ArmstrongLead Guitar – Mick CoxOrgan [Hammond] – John AllairSaxophone – Pee Wee EllisTrumpet – Mark Isham
4:54
28I Have Finally Come To Realise
Drums – Tony DayGuitar – John BlakeyPiano – Mark JordanSynth [Moog] – Bernie Krause
5:10
29Not Supposed To Break Down
Drums – Dahaud ShaarPiano – Jeff Labes
5:24
30Bright Side Of The Road
Drums – Peter Van HookeGuitar – Herbie ArmstrongPiano – Mark JordanViolin – Toni Marcus
4:02

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
31453 1789 2Van Morrison The Philosopher's Stone (The Unreleased Tapes Volume One) ‎(2xCD, Comp)Polydor, Exile31453 1789 2Canada1998
731453178922 LPVan Morrison The Philosopher's Stone The Unreleased Tapes Volume One ‎(2xLP, Comp, Unofficial, Whi)Not On Label (Van Morrison)731453178922 LPEurope2019
531 789-2Van Morrison The Philosopher's Stone (The Unreleased Tapes Volume One) ‎(2xCD, Comp)Polydor531 789-2Australia1998
31453 17989 2 IN02, D224512Van Morrison The Philosopher's Stone (The Unreleased Tapes Volume One) ‎(2xCD, Comp, BMG)Polydor, BMG Direct Marketing, Inc.31453 17989 2 IN02, D224512US1998
P2 31789Van Morrison The Philosopher's Stone (The Unreleased Tapes Volume One) ‎(2xCD, Album, Comp, Club)Polydor, ExileP2 31789Canada1998

Credits

  • Acoustic Guitar, Electric Guitar, Harmonica, Saxophone, VocalsVan Morrison
  • Bass GuitarDavid Hayes
  • DesignAP;D
  • Edited By [Digital]David Conroy, Matthew Lawrence
  • Engineer [Assistant]Matthew Lawrence, Sean Doherty
  • Mastered ByRay Staff
  • Photography ByDiego Meozzi
  • Producer, Written-ByVan Morrison

Notes

30 previously unreleased tracks recorded between 1971 and 1988.
Track 1-1 recorded at Centry, 1971;
track 1-2 recorded at Columbia, 1971;
track 1-3 recorded at The Church, 1973;
tracks 1-4 to 1-11 recorded at Caledonia, 1973, track 1-15 in 1976;
tracks 1-12, 1-13, 2-6 recorded at Wisseloord, 1974;
tracks 1-14, 2-1 to 2-5 recorded at Record Plant, 1975, tracks 2-7 and 2-8 in 1979;
tracks 2-9, 2-10 recorded at Super Bear in 1980;
track 2-11 recorded at TheTown House, 1982;
track 2-12 recorded at Tres Virgos, 1983, track 2-13 overdubbed in 1984;
track 2-14 recorded at The Wool Hall in 1987;
track 2-15 recorded at Homestead in 1988.
℗ & © 1998 Exile Productions.

Barcodes

  • Barcode: 7 31453-17892 2
  • Mastering SID Code (Disc 1 & Disc 2): IFPI L004
  • Mould SID Code (Disc 1): IFPI 0232
  • Mould SID Code (Disc 2): IFPI 0204
  • Matrix / Runout (Disc 1): 531 836-2 00
  • Matrix / Runout (Disc 2): 531 837-2 00
  • Matrix / Runout (Mould print - Disc 1): Made in France by PMDC 1H
  • Matrix / Runout (Mould print - Disc 2): Made in France by PMDC 1A
  • Rights Society: BIEM / MCPS
  • Label Code: LC 0309
  • Price Code: PY 926
  • Other (Category Disc 1): 531 836-2
  • Other (Category Disc 2): 531 837-2

Companies

  • Phonographic Copyright (p) – Exile Productions Ltd.
  • Copyright (c) – Exile Productions Ltd.
  • Licensed To – Polydor Ltd. (UK)
  • Recorded At – Century Recording
  • Recorded At – Columbia Studios
  • Recorded At – The Church, San Anselmo
  • Recorded At – Caledonia Studios
  • Recorded At – Wisseloord Studios
  • Recorded At – Record Plant, Sausalito
  • Recorded At – Super Bear Studios
  • Recorded At – The Town House
  • Recorded At – The Wool Hall
  • Recorded At – Homestead Studios
  • Mastered At – Whitfield Street Mastering Studios
  • Made By – PMDC, France

Video

Comments: (1)
Whitegrove
Most artists fall utterly flat when they put out a body of work that consists primarily of unreleased material. But Van Morrison did it so well on “Philosopher’s Stone” that most people, even today, consider it to be one of his best releases. I’m not sure if that qualifies “Philosopher’s Stone” to be considered an actual album or not, since it wasn’t designed in that manner. But it’s the music that should be considered in the long run, and when one explores the release on that footing alone, Van has presented us with a very fine recording ... one I certainly could not do without in my collection.

The release is a double disc, encompassing some thirty tracks of, as I said, material that was mostly unreleased from the years 1970 through 1988, but also includes a couple of alternate takes of well known numbers from his previous album's ... this albums version of “Wonderful Remark” will hold you motionless. Now, I’m a huge fan of the man, and I will say that this could very easily have been a single CD release, as there are only about fifteen of the songs that I really dig, but that in no way means that you won’t like the rest. Seriously, Van is covering almost twenty years of music here that had not seen the light of day ... and in any fashion that is an event to be cherished.

He’s got some sly and sexy Blues going on here, some Jazz that has Van’s signature all over it, low down piano Boogie Woogie and finally, some of the sweetest R&B songs ever to roam the planet. One would expect there to be serious quality issues with material so old, and material from so many sessions, recorded under so many different techniques, and with a variety of producers ... but quite the opposite, the recordings are splendid and emotional, as clean, well produced, and crafted as finely as anything he has ever done. The sessions are amazingly tight, evidenced by the musicians who play on them. There is a continuity to the songs that holds everything together as a single unit, as if it were designed to be just what it is. Perhaps the fact that most of the songs ARE out takes is what holds them together and strings them along so nicely; as if finally these songs have found a home.

Why these numbers were not used to begin with boggles my mind, but I’m sure Van felt that they didn’t fit with the material he was putting out at the time. To that I will say, like Dylan, Van had some years where he wasn’t making consistent bodies of work, perhaps like Bob, he was hoarding theses songs, and they just never surfaced ... these songs may have made those releases all the better had they been used, but that’s speculation, to be debated face to face.

These songs will rip out your heart and drop you to your knees. There is so much passion and grace here, all wrapped up in a truth one seldom wants to hear, yet alone sing ... had these songs been lost, my life would be much less musically rich.

If you decide to download, do not neglect these numbers ... “Really Don’t Know, Ordinary People, Wonderful Remark, Not Supposed To Break Down, Contemplation Rose, Don’t Worry About Tomorrow, Foggy Mountain Top, Street Only Knew Your Name, I Have Finally Come To Realize, Real Real Gone, and Show Business.”

The album ends, for me, with “Show Business” a number that requires only that you kick back and allow Van to walk all over you.

Review by Jenell Kesler
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