Composed By – V. LéblEngineer [Technical Interpretation] – Miloš BláhaPerformer [Preparation] – Vladimír Lébl
3:40
4
–Lejaren Hiller
Vocalise
Composed By – L. A. Hiller
5:35
5
–Josef Anton Riedl
Study 1959, Study 1962/2
Composed By – J. A. Riedl
5:45
6
–Rudolf Komorous
The Tomb Of Malevitch
Composed By – R. Komorous
3:00
7
–Jozef Malovec
Music To The Film „Výhybka“
Composed By – J. Malovec
4:15
8
–Krzysztof Penderecki
Psalmus
Composed By – K. Penderecki
5:05
Versions
Category
Artist
Title (Format)
Label
Category
Country
Year
DV 6221
Various
Elektronická Hudba (LP, Comp, Mono)
Supraphon
DV 6221
Czechoslovakia
1966
DV 6221
Various
Elektronická Hudba (LP, Comp, Mono)
Supraphon
DV 6221
Czechoslovakia
1966
VT 9778-2
Various
Elektronická hudba (9xFile, MP3, Comp, RM, 320)
Supraphon
VT 9778-2
Czech Republic
2016
SUA 10951
Various
Electronic Music (LP, Comp, Mono, RP)
Supraphon
SUA 10951
Czechoslovakia
1969
DV 6221
Various
Elektronická Hudba (LP, Comp, Mono)
Supraphon
DV 6221
Czechoslovakia
1966
Notes
℗ 1968
Experimental Studios in Prague Bratislava Munich University of Illinois Warsaw Paris [release subtitle on front cover]
Made in Czechoslovakia Artia Prague [export release]
Experimental Studio of Electronic Music in Prague [A1] Experimental Studio of Electronic Music in Prague and Supraphon Gramophone Comp. [A2] Czechoslovak Television in Bratislava [A3, B2] Studio für elektronische Musik, München [A4] University of Illinois Experimental Music Studio [B1] Studio Eksperymentalne, Polskie Radio i Telewizja, Warszawa [B3] Service de la Recherche de L’O.R.T.F. Groupe de Recherches Musicales, Paris [B4]
Contains information sheet in English, Russian, German and French. Track artists A1 uncredited on cover.
Track A1 contains examples of sounds as they relate to electronic music in the following main categories: 1. Basic generators of sound 2. Harmonic and non-harmonic consonances 3. Different types of sound blocks 4. Hue variations in the block 5. Frequency modulation 6. Filtration of sound objects 7. Transposition of sound objects 8. Regulation of the time course 9. Repetition of sound objects 10. Retrograde procedures 11. Assemblage of sound objects
Track titles on center labels: The Tomb of Malevic [A2] Studies Nos. 1 and 4 from “Four studies for electronic sounds” [A4]